Cherish Bryce - The Birth (2009)

I haven't written a review on a female artist in a few months and nothing better than an exciting new voice that has the potential to blow up beyond expectation. Cherish Bryce is potentially the most exciting female artist on the Radio Kunakirwa podcasts right now and at the writing of this review she sits at a healthy Number 2 on the Kunakirwa Top 12 with Ndiwe featuring Gregory & Tpie. The Birth of Cherish Bryce is the debut from this 20 year old rising star.

The Cherish Bryce journey to success began outside Zimbabwe and she is already a household name in countries like Malawi and Tanzania despite being 100% Zimbo. I will open up with the song that is currently doing the damage, Ndiwe. This song had a solid RnB sound that is so undeniably Zimbabwean with the use of ethic instruments to bring it closer to home. Cherish, Gregory and Tpie effectively use Shona, Ndebele and English to give us one of the best love songs we have come across this year. I won't give much on it, refer to the podcasts and have a listen for yourselves. Dreams ranks as one song that is a favourite with all of us at Radio Kunakirwa. It is an amazing RnB love song that could make any man cringe with some seriously inviting lyrics sung by a very sweet voice. She claims she can make dreams come true and though the lyrics are 'subtly' sexually inclined i still enjoyed the song. I nominate it for the best song she has done, ever.

I was surprised by the song Voku which took a completely different tangent from what i thought she was all about. She sings about what makes Africa what it is and this is a very mature track that crosses many barriers with an excellent execution and delivery. Come to think of it this song really deserves to be among one of the World Cup songs. The young lady can switch the tempo right up to songs like On the Dancefloor featuring Gadjet and Cuz as well as the dancehall banger We Go Hard. These guys at Bryce Music are going hard for sure. On We Go Hard, Cherish sings about how they are the new defition of what the word hard is and if there ever was a dancehall song to light up a dull party this one is it. I can imagine it being played in a club setting with the crowd singing along. I also liked the experiment with the kizomba zouk style on Crush which i reckon would get a lot of teens going crazy especially at the stage where infatuation is prevalent. I would like to hear the reception of this song in countries like Mozambique, Angola and Cape Verde Islands where this style of music is truly appreciated. Haunting Me is a song about heartbreak when a couple has broken up and the party responsible for the outcome is now realising the depth of their mistake. The social commentary on a cheating partner will strike a chord with many people out there given that infidelity is a hot topic in our day to day.

I really could go on about all the tracks on this album but i will save it for you to get yourselves copies. Other songs to look out for are Searching and Fire In The Freezer. I will will definitely make it known that this is the best RnB album i have heard from Zim this year. I listened to it from start to finish without as much as a second skipped and it rates highly as an amazing debut from a talented young lady. I usually have low points to point out and concerning Cherish, the sexual nature of some of her lyrics leaves you wondering since she is only but 20 years old. The maturiy of those lyrics doesn't quite fit her voice at times giving it a rather ironic incline. This girl holds her own be it collabos or solo on a track she has what it takes to make hits and be a star. Other than that, producer, Ahsyan the Beatmaker is one of the very best in Zimbabwe right now and he brings out the best in Cherish. One word: Impressive!

Cover Art - 5/10
Music - 8/10
Technical Sound - 8/10
'I Like' factor - 8/10

TapiwaBatsirai - The Heartstrings: Mota Yemawaya (2010)

This year has been really exciting when it comes to the youthful Zimbabwean genres with the usual suspects putting in some great work to release albums and singles. Amid the competitiveness, there some new names worth talking about and we received this album from one such artist. His name is TapiwaBatsirai. The Heartstrings: Mota Yemawaya is his solid debut offering.

The album opens up with the title track Mota Yemawaya which features the smooth voice of Mr Noxxa. TapiwaBatsirai introduces himself with a comfortable rapping style in Shona. The song is about the need for a life of fulfilment and he equates the failure to succeed as having a toy car compared to the real thing. He tells the world that we have to strive for the finest of what we can get and live life to the best we can. On Kuterera, he works a toned down but well done beat and shows his versatility in rapping. The song touches on love and how relationships require a lot of patience and peace in the heart. I liked the formula for successful relationships here! Some inspiring positive messages always do the job. Definitely a good track.

The album contains some seriously 'dope' tracks for the hip hop heads as well like the cut titled Hip Hop. The cast claims their love for Hip Hop as a culture. Mzansi was a surprise for me and i was totally blown away by the Ndebele spits that graced the upbeat instrumental. Given a chance this track is one of those club/party hits. Arguably the best track on the album is Aona Kunaka which again features the vocal prowess of Mr Noxxa. It recently featured on the podcasts and is a favourite already. It's a gospel track that explains how people can live a life of sin and be converted by the beauty of God and his love. It has a bouncy mid-tempo kizomba-zouk beat. The concept is intelligent and i personally feel that this dimension to gospel music is welcome. I am tired of the hymn recycling bla bla bla, i believe music fans deserve exciting gospel music as well and TapiwaBatsirai brings that on this beautifully sung tune. He also does the 'Shonglish' thing quite well i must say.

TapiwaBatsirai labels himself as Holy Hip Hop. Fair and fine but to me he is clean and largely morally correct Urban Grooves. Why i feel that way is because the tag Holy Hip Hop carries a lot of weight and if your album carries lyrics like "What the .... ? ... illuminate the dark, girls sucking on the sweets that we keep in the trunk." , well, you could find people asking a lot of questions especially in our judgemental society. This album is actually quite good especially for a debut and with direction i see TapiwaBatsirai becoming a force to reckon with. From the 11 tracks only 1 or 2 that i feel should have either been reworked or not included at all like Handidiba. Besides that i am not so sure he should have included Mota Yemawaya accapella. On a production level, some tracks were very well done and others not so much. Let the lows not deter you because this album is worth buying. I definitely look forward to hearing more from this man and i can say he is one of the finds of 2010!

Music - 6.5/10
Technical Sound - 6/10
'I Like' Factor - 7/10

Soosh. . . the baddest boy in 2010

Soosh(Tendai Maswiswi) is a man who needs no introduction to the XBC audience having graced our 2009 Top 30 jams with the heartfelt You Gone Now featuring Dee. You might remember him from the Zim Hip Hop duo DS & Soosh who gave you the album Clueless. 2010 is that kind of year where 'The baddest boy' (as he is known) is not holding back. He sent us 2 singles that are straight off the Richter Scale and we will get to those freebies in a moment....



What has Soosh been up to of late? Soosh (27) was based in Lusaka, Zambia and was working Hot 87.7 fm which is a private radio station as a radio deejay and as a club deejay and emcee at Zenon Night Club. Since the beginning of 2009 he has moved onto the Copperbelt (Kitwe to be exact) in Zambia and was working for YAR 89.8 fm, another private radio station. At the moment he is freelancing in the private sector of the entertainment world in 3 different countries. Rapper, DJ, maybe next he gon get into acting.

Check out the hot new singles, top notch and still mahara!

Move Back - Now this track is my personal favourite. Why? Coz it shows u exactly why Soosh is actually the baddest on the mic. Comparing with his previous work and taking nothing away from it, there is unmistakeable maturity and confidence. Lyrically, just so you know, you cannot afford to miss a word he says. I found myself laughing at the 'dig' at a long time rival of his (you know who he is, infact listen to the song if you don't). For the record Soosh my friend, i did rewind that part myself. I remember telling him how impressed i was with the overall production and in terms of quality this song is just about faultless. That is how WhereItsAt Records does things (shout out to DS!)
Download Move Back here (mp3): http://sharebee.com/cab7fa60

Close Your Eyes - There are some songs that go beyond a simple listening experience and Close Your Eyes is one such song. The emotional connection of the song had me in thought patterns i don't experience often. The realistic take on life here is one i appreciate and this defines an impressive touch of versatility in the new material. I have no doubts that if you don't know who Soosh is by now, your eyes are definitely closed.
Download Close Your Eyes here (mp3): http://sharebee.com/6f7ebc00

Wreckless - Riddim & Bassline (2010)

The name Wreckless dates back to the years when the urban genre started getting recognition with Chamhembe (That Squad) heading the whole thing. This man's CV is deep with the most popular of his collaborations being the song Kuchamhembe with the beautiful Tererai Mugwadi. Besides that he has done songs with the likes of Roki (Mazuva), James Adam(Chikondi) & the very sexy Cindy (Dhindindi).

Riddim & Bassline kicks off with an intro that gets you up on your feet, no holds barred. Reload carries the tempo of the intro with some seriously deep basslines and if there was anything like feel good dancehall this could just be it! It's a great way to start a CD with the positive vibes. One of the lead singles from this album is 4 Always featuring Rue. This is a mid tempo love song which would light up any party or gig without a doubt. Rue does a great job on this piece. I quite like the brand of dancehall that Wreckless brings to the table because it is unique and shows how much variety Zim dancehall has come to offer especially with the huge success of artists like King Shaddy, Winky D and Sniper Storm who mix English/patois with Shona.... And here comes Wreckless with a different style altogether!

Voodoo (loving the title in connection with the song!) is one of my favourite jams on a hip hop kind of beat. It features one of the first ever female vocalists on the urban scene, Sarah and i have to say whenever Wreckless collaborates with a female it always comes out wicked. Believe it or not given the song title, its a love song but cleverly expressed. The greatness extends to Love and Happiness featuring Nesu (this lady needs to drop an album, real talk). For a song about love given the style Wreckless delivers and how calm the song felt, i was nothing short of impressed. Undoubtedly one of the bangers on this album is Breeze featuring Cindy and Roki. The beat itself certifies this song as a hit. All three artists on this song make it such a great song and when we played it on the podcasts the response was quite encouraging. i loved Cindy's verse because it was so unexpected to take that 'patois' inclination. Another favourite of mine is Badman Territory and i would love to shake the hand of whoever produced that song. The beat is sick sick sick. The lead single, Evacuate, is right from the top drawer and it sums up much of this album for me.

After the listening experience i can say this 18 track album has more highs than lows. With a heavy production line up as well as collabos i found it pleasant to have so many different styles compiled into one. As i always say an 18 track album is a bit too much nowadays where an artist generally needs to try and captivate his audience in as few songs as possible. Other songs to look out for are Gimme Some More feat Kevie, From The Heart and Rub a dub. This is your 'Friday night at the club' and 'Saturday party after the bbq' kind of offering and if you are looking to have a good time with banging beats, look no further.

Cover Art - 7/10
Music - 7.5/10
Technical Sound - 7/10
'I Like Factor - 7/10

Winky D - Come 2 Tek Ova/Chatsva (2009)

It is without a doubt that Winky D is one of the most respected and possibly the hardest working dancehall artist in Zimbabwe at the moment. This comes after the smashing success of his 2008 full length debut, Vanhu Vakuru (though he claims to have 2 albums prior to that). Come 2 Tek Ova/Chatsva is the surprise double disc with 34 tracks released late last year. Chatsva is done mostly in Shona and Come 2 Tek Ova in English/patois.

Come 2 Tek Ova
Some fans will have seen the video for the song Mi Nah on youtube or wherever else (which isn't really anything to write home about, i liked the Luckspin Medley video a lot more). I like the melody and Winky proclaims that there are things he will never do which would otherwise taint his image and make him more of a hypocrite than anything. He heavily uses the auto-tune effect popularised by T-Pain. Education is The Key (as the title suggests) is self explanatory and its more for the young ones who he encourages to take school seriously. The song Moma is a dedication to his mother who he always mentions in regards to his success. The message is great but the execution left a lot to be desired, the beat was a huge let down like many others on this double CD.

She Loves Me takes a sample from Vybz Kartel's worldwide hit Virginity but is nowhere near as good. Disappointing to say the least. Bigger Size is a very sexually suggestive song about the done and dusted topic of 'does size matter'. It's actually quite hilarious and Winky D has a lot of humour in his lyrics which often makes his songs well worth a listen. Same goes for the song Yogueta (whatever that means). Love Magician explores the sexual side of things yet again and is a very well done piece. The riddim is straight from the top shelf, no questions asked. Haul & Pull Op is a favourite of mine and reminds me of the dancehall tracks of the early 2000s. I think Tell Her is is definitely the top cut from this CD considering the overall production. I am definitely feeling the riddim there which sounded solid and complete.

It came as a surpise that song of the moment 'Green Like Mi Garden' which could well be an international hit does not appear on this double disc. The song has a hip hop influenced beat with 'Di Big Man' coming in with some great flow and energy. It would have been a great inclusion.

Chatsva
Many tracks from this CD were previewed in 2009 on Winky D's facebook and reverbnation pages including favourites Zvimoko Zvevanhu & Mabhebhi Ekusabhabha. These 2 songs have some of Winky D's finest lyrics though the production was not really good he makes up for it in his witty choice of words. Zvimoko Zvevanhu iSong inokonzeresa and Winky refers to taking other peoples women with no regrets about it. I thought the versions we heard then were demo versions to be properly done and to my disappointment they seem to have been the final versions. On this CD Winky D picks up from where he left off on Vanhu Vakuru.

The title track is one of those typical Winky D certified hits. It comes with a great tempo and Winky lets all his haters know that he knows that they do not like him but that will not stop him. Great song. Bhasopo is in the same light as Chatsva and talks about how rumours surfaced that he 'disappeared' in London after his live shows. Ndimba Ndimba is one song that is a likely hit and takes after his previous hits like Vanofamba Vachitaura. Again it is a song about how Winky D has haters and those are the type of people his people know how to deal with. It seems a lot of his lyrics are riddled with violent subjects evidenced by songs like PaGaza, MaNinja and the hit song Iwewe.

The overall production on this double album is poor. There is hardly any decent mixing done here, so you might as well forget mastering at that. It's not something i would ever want to write about Winky D as he is one of my favourite artists in recent years but this project was rushed and nowhere near as well done as his previous offering. It seems to be a quickly put together, 'meant to be testimony of his hard work' kind of album but for me this does not fly. I would rather take 12 very well done songs with a decent effort put towards realising a high standard of music.

I know he has been getting rave reviews about this album from the local press but after taking a listen a lot of questions are raised. Lyrically, it does not seem like the man has grown much at all since his last release. Not that his lyrics aren't good, but he seems to be in the same zone as over a year ago which brings doubt to his versatility (of which he definitely has). I write all this simply because i know an artist of Winky D's calibre can do much better and with the standard he set on Vanhu Vakuru this is more of a backward step than forward. In comparison with Sniper Storm's The Voice album (one of Winky D's direct competitors in the dancehall game) i realise how unfair the music industry can be, because comparing the 2 it's very easy to tell where significant time and effort were put in yet hardly anyone speaks of Sniper's album besides it being very good. All in all Come 2 Tek Ova/Chatsva is a huge let down for me. Having written all this i can still bet my bottom dollar that he has already received enough 'big ups' for a job well done and his fans of old will love the album anyway.

Buy the album here:
http://winkydonline.com/blog/store/

Cover Art - 5/10
Music - 5/10
Technical Sound - 3/10
'I Like Factor' - 4/10

Stunner - Team Hombe (2009)

I've witnessed Stunner rise steadily from the days of Rudo Rwemari, experimenting as a dancehall artist and blossoming into one of Zimbabwe's most respected urban rappers. His 6 year career has seen him release the albums Hameno, KaLife and the latest one, Team Hombe. I finally managed to get my hands on the CD copy of the album that is available in stores which is quite different from the initial one which was to be titled Tambai Ngoma.

The album title was changed from Tambai Ngoma after the huge success of the single Team Hombe which graced the Power FM charts since mid - 2009. The song is about Stunner's rise in the music industry, from the days when people gave him no chance at all. It boasts of an American influenced southern beat with some clever imagery from Stunner. I can tell that he is enjoying his success to the fullest. The album opens up with an intro then Handimbokusiye produced by MacDee. This track is a great opener for the album and i reckon it has the potential to become an anthem this year. It has that distinct Urban Grooves feel and is rather danceable. Paushamwari Hwedu has a clever concept where the chorus is an old nursery school rhyme. ExQue features on this one, i've heard better verses from him. Shamwari neshamwari adopts a kizomba rhythm and surprisingly features Diana Samkange. Since the release of Hameno, it was rumoured that Diana and Stunner did not see eye to eye. Seems like they have patched up now and on this song they sing about just being friends even though people believe they are lovers.

Madziya Sister reminds me of a 50 Cent song and as i write this i am looking for the song in my library even though i have my doubts that i have it (before i even got to searching i remembered the song, I Get Money). I do like the Stunner song, it's DRIPPING of swagger with some nice energy to his flow. The freestyle by Jnr Brown will have you laughing and is enjoyable, the man anenharo paFlow hama dzangu. Kana Usipo really tickled my fancy. It borrows the melody in the chorus from somewhere but i just cannot seem to put my finger on it. Anyhoo... Cash features a heavy line up with B.G, Yoz, Johnny K and Jnr Brown (they are the ones i could figure out given the album back cover does not include features). It's one for the Hip Hop heads out there and for me this is the direction Zim Hip Hop should take. The whole line up does a great job on this song. I am against what has characterised Zim Hip Hop of late where only 'English spitting' Emcees are recognised as 'hip hop'. Takoresa is a remix to Live Your Life by T.I and i'm not so sure that it should have been part of this album. I enjoy the lyrics and surely Stunner made the most of it but more of his original work would have been more appreciated here. Rihanna's chopped up vocals are cool and stuff but for an official release? I don't think so Mr Stunner!

One thing i do not understand is why Ex Girlfriend, Dai and Tambai Ngoma are missing from this CD. These were possibly the best songs on the previous copy and they really elevated Stunner into a different class. I really need to understand his reasoning behind the ommission. There are a couple of songs that the album can do without as well. I get the feeling that on this album he was trying to mould his image towards 'Zimbabwean Rap' incline. He gets the tick from me. All in all, Stunner maintains his tried and tested formula of catchy lyrics and banging beats. It works and Team Hombe will rate as one of the hottest albums getting into 2010. Stunner fans of old will definitely like this one and it comes recommended for a taste of some of Urban Grooves best music.

Get the album here: http://tazzoitacashrecords.podbean.com/

Cover Art - 7/10 (great work and resurrection from the KaLife cover)
Music - 7/10
Technical Sound - 6.5/10
'I Like' Factor - 7/10

BKay & Kazz - Boomslang (2009)

BKay and Kazz have been on this musical journey for a while now. These 2 brothers have grown from strength to strength. I remember seeing their video for Ndikati Hello on Channel O 4 years ago without a clue who they were. Now they reign as ambassadors for Zimbabwe through their brilliant work. They released their debut album, In The Beginning, 5 years ago and it was more for the Zimbabwean and Malawian markets where their roots lie. Boomslang is their first international release and their approach is different from last time around.

Don't Stop opens up the 16 track Boomslang album with an infectious rhythm that will have you dancing. It is a dancehall track with a very commercially acceptable aspect about it such that you don't have to be a dancehall fan to enjoy it. These guys sing real music and the song relates to their will to succeed. I Wanna Get Loved is impressive. The vocal abilities that these guys have will surprise you and it is also part of what makes them so versatile. The inclusion of Ndikati Hello is one i did not expect but given that among Zimbabweans it is their most popular track and this being an international release they wanted to show that they have come a long way. Despite the track being old it by no means compromises the quality of this album and it rates highly. Decibel did his thing very well here! The same goes for Senorita concerning it being on their debut but it sounds so good i thought i was hearing it for the first time.

There are quite a few songs with videos here and i am hoping these guys come out with a DVD album as well. You Know It's Right is one of the songs with a video. This song is great, well composed, well sung and well put together. The video? Awesome! Whatever formula these guys are using it is definitely working. You Know It's Right has 2 versions here and they are both good. We played The Music Drive on our podcasts and the reception speaks for itself. The track is just massive. A definite banger and the dancehall baseline that accompanies the powerful vocals led me to have this song on repeat. It features Decibel and the man has not lost his touch at all. Of the whole album Amina Kadeya is my favourite. The way they took an old nursery school game and made it into a dance track is genius. VanaWezhira from Masvingo are talented, jealous down hama dzangu! I tip this to be one of the party regulars in 2010.

BKay & Kazz are some of the hardest working artists around and their album proves it. A lot of the songs on this offering were released as singles. Other songs to look out for include Wynd With Me, Leave Me Alone and Crazy Baby. I really liked this album from start to finish and i could change with the mood of the album without feeling robbed of any quality and so forth. There is something in there for everyone. I found very little fault to this album, it leaves you satisfied with your purchase.

Get the album here: http://www.tradebit.com/filedetail.php/56603725-bkay-kazz (mp3 album) and iTunes http://itunes.apple.com/us/album/boomslang/id340251008

Cover Art - 8/10
Music - 8/10
Technical Sound - 7/10
'I Like Factor' - 8/10

Shumba DJs - Tambayi Funky Anthems (2009)

Zimbabwean house music hasn't quite established itself compared to the other youthful genres. Having noted that, the genre is experiencing an exciting time after the success of the Native Flash and Zim DJ albums with hits such as Jobho (Remix) and House of Stone. Shumba DJs are relatively new to the scene 'by name' but with years of experience as DJs on the local and international stage. For this debut offering they have teamed up with Beatovenz on a 5 album deal.

The album opens up with One of These Days which is a dance classic. The song adopts a sound that house lovers would instantly connect with and would light up dancefloors across the world without fail. The song maintains the same tempo throughout with some excellent use of the bongo which makes the song very catchy. Zvamauya Zvanaka is a feel good song about how our relations with friends and family mean a lot to us. It explores the euphoria of seeing loved ones after a long time and the joys of rediscovering that closeness. The song is well sung as well. Tambai made me think of the days when kwaito was still the real deal when artists like M'du, Arthur, Abashante and B.O.P were churning out hits on a regular basis. It has that 'old school' feel to it. I felt the same way listening to Happy Birthday where Primrose Gwata sang her lungs out! I am guessing these guys must have been kwaito/digong fans at some point.

Wynd For Me by BKay and Kazz is the first song from this album that came out some time back. The song is a straight banger and BKay and Kazz (anaWezhira, Masvingo Massive!) are definitely among some of Zimbabwe's best exports within the diaspora. They prove this without a doubt on this tracks singing about the beauty of a girl who is on the dancefloor who is looking lonely. These guys surely know how to hype up a track and with the Shumba DJs producing a well worked beat this is a collaboration at its best. On My Way sounded experimental and leans more to the techno side of music. It's not really my taste but the composition is still good. Mandela The Great was a very meaningful contribution highlighting that even when we have fun there are sons and daughters who have helped Africa to become what it is today. Their call for Africa to unite is one that many artists should consider. Loved the female vocals on this song.

All in all this 17 track offering is a testimony of what talent, hard work and experience can give you. Besides the songs already mentioned i greatly enjoyed the song Kumusha. Many of us outside Zimbabwe can relate to this song. I believe the number of tracks on this album could have been cut down to a good 12 - 14. That way they would have taken the very best tracks as one or two cuts are rather luke warm. For a debut these guys did well regardless and it's a worthy purchase. I believe Zimbabwean House is truly taking shape and any house music lovers this one is for you. Great work guys!

Get the album here: http://www.zimvibes.com and http://www.vangodzatunes.com

Cover Art - 5/10
Music - 7/10
Technical Sound - 6.5/10
'I Like' Factor - 7/10

Eloi Manjoro - In God's Love (2007)

The name 'Eloi' might not ring a bell but i am sure that is set to change. I really do feel that gospel music is so vibrant at the moment and the talent Zimbabwe possesses is something we all ought to be proud of. It's not all about the 'household' names either. The debut from Eloi Manjoro is called In God's Love and it reveals some amazing versatility in our gospel music industry. Despite the fact that it came to our attention nearly 2 years after it was produced, it is timeless.

The album opens up with a very interesting intro. You can tell the quality straight away, a lot of work was put into this project. The Stream is a lovely piece with some interesting backing vocals that would strike a chord with most church goers. I could not help but notice the way the singers compliment each other which made me think that they must have been singing together for a while. Eloi leads the song and does it so well. It is about thanking God for his blessings. The song If JC Ain't in The House featuring Soosh and Priestly has a mid tempo dancehall vibe. The vocal team just does wonders here from the singing to the rapping. Besides the uplifting message this kind of music is well worth marketing internationally and would represent us so very well.

As i listened i began to connect with Eloi's music being more of a fusion between mainly RnB and dancehall. It sits very well with a young, vibrant listener who finds pride in the good word. You will find yourself vibing to songs like Amen. The melody is really groovy and picks up the tempo and the female lead does justice to this track. Add to that, the chorus is very much an easy sing along. One of the best tracks on this album. In that category of some of the finest music on this album is Everlasting Love. I would not be far off by saying this tracks calms your heart. It is beautifully contsructed.

This album is one that should not be overlooked. From start to finish all the tracks are well worth listening and over different aspects of good musical composition. Other songs to watch out for are Hey Wena and Jesu Ndewangu. I would recommend this album to you all. Get your self a copy!

Get the album here:
http://www.cduniverse.com/productinfo.asp?pid=8077951
http://itunes.apple.com/us/album/in-gods-love/id346415743

Cover Art - 6/10
Music - 8/10
Technical Sound - 8/10
'I Like' factor - 7/10

Farai "Pharaye" M - Beautifully Learnt (2009)

I appreciate it when i manage to come across talented youngsters because it reminds me that we have much to give in world music. Pharaye is a fairly young gospel artist who is set to do big things. This 21 year old young man is one to watch out for. I thought Beautifully Learnt was his debut but he actually has a previous album released in 2006 called I Take A Moment.

The title track, Beautifully Learnt, is amazing, from the production right through to the singing. It features another talented artists, a lady called Sharon Rose. Props to the E-Monie on production because this work is phenomenal. The song is about how God is always there, at ALL times. It really reminds me of how i was taught how to count on God no matter the situation. It is truly something that is beautifuly learnt when you know you can depend unconditionally. A very fitting title track. Point of View features E-Monie and Sharon Rose and the instrumental just makes you want to get up and dance. Having said that, the man talks about some heartbreaking things like losing his mother and living a difficult life. This is where Jesus came in and changed his point of view on life so he is celebrating that. It's a fresh sounding song but with such a mature topic. One of my favourite on this EP.

For Your Love is a gem. It is an RnB sounding track about how His love shines every day. Pharaye focuses on how our imperfections are no reason for God to disown us. In knowing that noone is perfect, we still have a chance to be better people and strive for perfection. I think this one can be a sing along for years to come. I like Rydmptn as well and again the production is top notch. That bouncy RnB flavour makes his brand of gospel so much better. I can relate to it on many levels. Every song is worth a listen. I really would have hoped he included more tracks but that takes nothing away from the amazing quality and high standard of professionalism on this offering. Also watch out for Shower Down... the song is phenomenal!

This is gospel music with a difference. This album is highly recommended if you like RnB and especially the younger Christians out there, this will get you going and that is a promise! Pharaye, you are a star, keep it up!

Cover Art - 5/10
Music - 8/10
Technical Sound - 7/10
'I Like' Factor - 7/10

Nasty Trixx - Vapamhe (2008)

Trust Dojiwe better known in the music circles as Nasty Trixx is back with a new album and Maskiri's so called sound alike has his chance to prove that he has what it takes to stay on top. I am sure many of you out there remember the smash hit 'ChiDanger (Chimoko)' from his 2004 debut Kupinda Newe. I can confirm every song on that album was a certified hit and it put this young man on the map.

A song from the new offering that made rave reviews in 2006 is DDF (which was also on the Bhodho Size One compilation by Tony G). The song is produced by Tony G and is a comical piece about a girl who wished for Nasty Trixx to become her lover. Apparently in the song, Nasty Trixx overhears the girl at church praying for divine intervention in her quest for love. On the other hand, Nasty confirms that the young lady is so beautiful he is already in love with her after having met her on the bus the previous day. The concept just makes me laugh! Great stuff! It is also the only Tony G production there as the two parted ways over unspecified differences. This new album also contains the hit song Kukakika which made an impressive position on the 2008 Power FM charts. The title is a descriptive word about how beautiful a woman is and the song is a testimony of how clever Nasty Trixx can be. When it comes to women, it seems like that is his area of choice lyrically.

Unfortunately the 2 songs mentioned above are as good as this album gets and the other tracks are a complete waste of time. I hate to say it like that but if you compare Nasty Trixx on his tracks produced by Tony G and the ones by the producer he is working with now, you can tell that there is no contest. The music is horrible and amateurish to say the least. I reckon my 15 year old brother can do better on productions. My colleague upon hearing this album asked me, "Is this a demo album by Nasty Trixx from 10 years ago?" That is simply how bad it is. I would have written about the tracks in detail as i usually do but this time i do not see the point. The only other song i could mention is Ndopisa Musoro in which he blasts former friends Tony G and Madiz who had a major part in his first album. He claims Tony G shortchanged him from his album royalties and when he left Baseline Studios, Tony G was stranded and other artists left. The same producer he is dissing so happens to have, by far, the best track on this album. On the same page, comparing with Kupinda Newe, this new album has not as much as a good chorus which Madiz was mostly responsible for first time around. Sadly, truth be told, Tony G and Madiz are having the last laugh on this one enjoying enough success in the past 2 years.

Enough said, this ranks as one of the most disappointing sophomore albums i have heard in a long time. By this showing, i think Nasty Trixx will be a nobody in the industry within the next 2 years unless he rejoins Tony G's camp or finds a producer who is just as good or better. Kukakika just so happens to be the single that is a glimmer of hope in an otherwise dwindling career. Nasty you can do much better!

Music - 2/10
Technical Sound - 1/10
'I Like Factor' - 2/10

Fame Nickles - Battlescars Mixtape (2009)

Zimbabwe's finest in Toronto is back. This mixtape hit me by surprise since i have been bugging Fame Nickles for a solid drop for about 3 years now. Finally the man decided to compile some of his best work and give his fans something to keep in the library. As he says in the intro 'Fame Nickles reporting for duty' and trust, it's no lie. Before i even review the mixtape in detail, lets face facts Fame is damn generous to give a mixtape of this quality for free coz i would have sold it had it been mine!

Yeah That's Me opens up this piece and its a proclamation of Fame's sense of self. Opening statement: "My heart pump Hip Hop..." you get a feel of how Fame takes his music very seriously. The beat is sick (sick sick sick!) and kudos to Rymez for that massive production. For the opening track i must say it was well thought out, the kind of song that makes you want to listen to more songs from the man. Get It has a video on Youtube and it actually sounds much better than i thought. Again, i have to say the production was just top notch, this time by SubZ of 25 To Lyf (Mutare massive). Check out the video though, some nice honeys in there! Ok, im no perve but some things are hard not to notice. I got the vibe that Fame was on a warpath on this mixtape, songs like Bushlands In The Place, The Accused, War Shit and Checkmate are hardcore boom bap type beats with hard hitting lyrics. One of my favourite songs on this mixtape is Damn Shame. It's one of those songs that gets you nodding your head, a true head banger. My favourite line: "First of all, get yourself a Nickles CD, they can take away your body but your mind can be free, Next learn how not to follow what society feels, Having an opinion means you decide if its real." Classic stuff!

Lyrically Fame is versatile and clever. The whole mixtape is riddled with intelligence which makes him an MC with substance. This is where i find Fame to have an edge over many other MCs. Besides that, his beats are different, some what a fusion of old school and new school. Never Give In is one of the stand out tracks where he talks about politics, reality and doing this for a cause. You can almost tell how much hunger he has through song. Did i mention this MC is very opinionated? Having mentioned that, its quite hard not to agree with a lot of what he says. Fame's F****d Up is on a different level. The beat is quite toned down yet his message makes you think twice about stepping up to him if you ever will (haters?). I got an exclusive of Mind Food and for sure Fame knows it's another stand out track as i told him. All said and done Hate on Hater is THE track on this mixtape. I also got an exclusive listen to this track prior to the mixtape drop and i have been bopping to it for a while. Like the title suggests, Fame does not care whether you hate or whatever. That's my jam, period.

This is a feel good mixtape with a lot of realism contained. It has its grimey side but still maintains that enjoyable feeling. If you like hip hop chances are you will enjoy this a whole lot. It's 26 tracks deep and you can hardly go wrong. I am not sure about the number of tracks though because it's hard to keep people attentive throughout the whole thing. Having said that, i still managed to listen to the very end! This is Zimbabwean Hip Hop (ok so its pretty much international but Fame muzukuru!) on a totally different level and its of the highest standard. Very highly recommended (did i mention it's free?!)

Download the Battlescars Mixtape here: http://www.mediafire.com/?gzzddyzmt0j

Cover Art - 5/10
Music - 8/10
Technical Sound - 7/10
'I Like' Factor - 7/10

Pastor G - Inspiration (2008)

Pastor G is no stranger to the music industry in Zimbabwe having worked with numerous artists and made a great success of his singing talent. For those who might have forgotten he burst on the scene as part of Delani Makhalima's Shamiso Studios a solid 9 or so years ago with songs like Count Your Blessings, Hande & Walk Alone to name a few.

Inspiration is the latest offering from Pastor G and it is a 14 track sizzler! He has always made somewhat danceable gospel music more inclined to the younger souls. I can describe his music as a mixture of RnB and Afro-Pop where the pastor does enough justice vocally. The title track, Inspiration, is one smooth jam. The instrumentation on the song sounds like a soft rock/pop ballad and it is so well executed i could not help but notice. The lyrics are uplifting and focus on how we find our inspiration from the Lord especially when times are hard and we feel like there is no way out. I have to say the backing vocalists on this song did a superb job equally matching the pastor himself in making the song a gem. Haya Haya has been doing awesomely well on the PowerFM charts and from the moment i heard it i knew why. It is a praise song (rwiyo rwekutenda) where Pastor G proclaims authority and dominion through Jesus Christ. I can see enough people getting down to this one mudzimba and kumaChurch uko. It is a wonderful song that has a feel good 'thing' about it. I listened to it with a smile on my face!

There are some songs which from the moment you hear the intro your expectations are raised. Mubairo does just that! When the beat sets in and you listen to the chorus you get that 'wow' feeling. The beat is simple with an amazingly catchy melody and Sharon Manyika sings this so beautifully. Vakomana Sharon anoimba zvinodadisa! I know Haya Haya is already a hit but people are sleeping on Mubairo! Of the album this is definitely my pick, the best of the lot hands down! (lol). Its another inspirational one and the duo sing about kushinga (being strong, perseverance) encouraging us all never to get tired because God is faithful. Not much i can say except that this song is great. Mandipa is another one that touched me given its very well done vocals. Pastor G has really upped a notch or 2 on this offering. While listening to this album i realised that it really focused on establishing God as the centre of people's lives to give them hope. Considering all the things Zimbabwe has gone through i really connected with this album on that note.

I cannot take anything away from Pastor G on this one, the music was beautiful so was the singing. The collabos added so much versatility to this album, were very well done and you could feel the chemistry between the artists. Other songs to watch out for on this album are Jesu, Ndamirira featuring prince Mafukidze and Turura featuring Gorden Taurai Nzira. Pastor G fans of old will love this and i recommend it to anyone who wants to listen to Zimbabwean music with a difference!

Music - 7/10
Technical Sound - 7/10
'I Like Factor' - 7/10

Rassie Ai - Smiles & Cries/How Come (2009 Video)

Second video from the critically acclaimed debut album 'Return To Life'

Abisha Makombe - Bhomba (2008)

I know the name Abisha Makombe might not immediately ring a bell especially for a lot of people in the diaspora who left Zimbabwe a while ago. That being said be assured that the face of Urban Grooves (though he calls his music Chonde music) is changing. It's great to see new names coming up. Abisha is no stranger to success as he was part of the group Romeo which gave you the big hit, Consider My Feelings. A few years down the line and this man is now a solo artist enjoying being at the top of the music industry.

Bhomba is the debut album by Abisha Makombe which was produced by producer of the moment Anthony Mukanga a.k.a Tony G. This album is 8 tracks deep and boasts of the massively popular Ndire Ndire. From my conversations with Tony G he told me that the song was recorded last for the album and none of them expected it to be a hit. The song recently became popular in the diaspora after spending much of 2008 being the party song of choice with an infectious house sound that can lift you from a bad mood. Ndire Ndire refers to a magic brew which can get you to dizzy heights. In the song Abisha describes how he feels so invincible that he will be fishing for mermaids (kuredza njuzu) and that this is a party to remember that has him on unmatched highs. My pick for song of the year for 2008 and in the diaspora for 2009. Check out the video at the bottom of this post!

Hondo Yemoyo is the second single from the album and its another very good song. This one is about that first love and the pains of being with someone you do not love while spending your time thinking about someone else. It tackles the harsh reality of loveless marriages that seem to occur more often than necessary. The song starts off with a mellow beat which is sad in its own right and really made me think about what he was singing about. Halfway through the song it becomes an up tempo rhumba track. I really would have preferred this one to stay on the sad, mellow beat but its still a good song regardless. Mumwe Wangu is similar to Hondo Yemoyo in focusing on abused love. One partner is lost on the others actions because they seem to only be in love when there is money. Abisha is telling us how a lot of people started with nothing en route to becoming successful and that love should be able to endure poverty. This is definitely one of the best tracks on the album.

I really like Abisha Makombe's originality. His music is different, his voice is different, his singing is different. Throughout the whole album he shows maturity lyrically and offers a different view point from most artists of the Urban Grooves generation. I don't know if he will ever be able to eclipse the success of Ndire Ndire which i believe is set to become a continental and international hit with the right marketing strategies. If you love Rhumba, Zouk, House and Urban Grooves you could find yourself falling in love with this album. Highly recommended!

Music - 8/10
Technical Sound - 7/10
'I Like' Factor - 7/10

Zubz - Cochlea, One Last Letta (2009)

The third offering from Zubz has been one of the most anticipated 2009 hip hop albums in possibly the whole of Africa. For starters Zubz has quite a rep compared to most MCs in the region given his track record from The Last Letta Mixtape right through to the experimental Headphone Music in A Parallel World. Cochlea - One Last Letta is the latest release from the man.

Given the very futuristic inclination on Headphone Music In A Parallel World i was not sure what to expect on this album. First point to note is that every song is double titled (doesn't really bother me). It opens up with Cochlea - The Love Thought featuring soul guru RJ Benjamin which is somewhat an introduction to the whole album. The song is about your ability to turn situations to your advantage by excercising more 'love' in your decision making. In a way it is like the opportunity cost of doing one thing over another. Zubz is amazing at giving musical concepts beyond what would be deemed more widely accepted and i believe it makes his music far more enjoyable. The Entertainer - Smoke Screen Bounce reminds me of his first commercial hit, Superstar where he refers to the variety of listeners who would rather listen to shallow lyrics with a good beat because 'there is more to life'. It questions the willingness of music lovers to engage in deep thought when listening to their favourite musician bearing the question 'Why do we really listen to music'. From an artist perspective the question being 'For what purpose do i make my music?' The song is quite enjoyable with a throwback breakbeat. The beat on Drowning - Running Out of Time also has an old school feel to it (did i mention the venomous energy on the raps?)

The first track i heard from this album is A Different Life - Live It Up featuring the lady Pebbles. It covers many stories in one to convey a message covering issues like being judgemental, stereotyping and vantage point. Part Time Lover - Part Time Freek featuring Ameen shows somewhat the 'fun' element of the music on the album with some great production. The song itself is about being used in relationships for sexual satisfaction where the male is a serial polygamist having left a trail of broken hearts. The following track, Love Blind - My Girl's a... featuring Kabomo tackles the female side of the equation on a soulful note and is a vintage Zubz track. The girl in question is creeping and the man is in denial about it yet the whole world knows (hell if that happened to me!). I really believe Zubz explored his influences within music from the 70s, 80s and 90s for this album giving it his own personal signature (and sounds like he also got some influence from Kanye West on this too).

Besides the ones already mentioned also watch out for I Got This - Bait The Prey, Batanai - A Tale Of Two Cities, Bring U Back featuring Kalakoda and A Pot Of Green Tea - Good Conversation featuring Tracey Lee. For a 16 track album this is a great listen. I am not yet sure if i still prefer this one or Headphone Music in a Parallel World but one thing is for sure i was able to comprehend Cochlea - One Last Letta quicker than i could the former. This is like Zubz reinvented but you will still enjoy what he has to give. Recommended for all the hip hop heads out there!

Buy it here: http://www.pricecheck.co.za/offers/6909677/Emi+Zubz+-+Cochlea+One+Last+Letta/

Cover Art - 6.5/10

Music - 7/10

Technical Sound - 8/10

'I Like Factor' - 7/10

Various Artists - Bhodho Size 3 (2008)

Tony G has been around for a good 6 years in the music industry having started out in 2003 producing the hit single Bata Musoro featuring his alter ego DJ Tula. Over the years the man has produced and released 4 compilation albums starting with Picatto Era (2004) which had the smash hit ChiDanger by Nasty Trixx. 2008 has been a year of wonders for Baseline artists with 11 songs in the Top 100 on the PowerFM charts.

Bhodho Size 3, as the title suggests, is the third instalment of the Bhodho compilations. This one opens up with the Souls of Africa collective who had the immensely popular album Zvepabhodho 4 years ago containing the well known song Madam Chamunoda. Their song on this compilation, Lolita, tackles the issue of being taken for a ride concerning matters of love. In this case the girls name is Lolita and she left some bloke feeling worthless. This song is just brilliant and my favourite part is when the beat changes from a kizomba sound and the tempo is increased into a sizzling rhumba that had me rewinding the song over and over again. The most promising group (in my humble opinion) in Zimbabwe right now, Unique, is also featured with the song Mubhedha. I first heard this song last year and it simply got better once i got my hands on a full length copy. It reminds me of Dino's hit Jatropha as it is also about a woman feeling secluded in a marriage being denied the full (sexual) benefits she thought she would have. Given the prevalence of this topic in recent songs maybe its about time Zim guys start worrying in case the women get fed up for good (lol). The track adopts a near traditional contemporary and Urban Grooves fusion like that of Ndichakuudza Sei by MaFriq. Paunondinyerekedza by seasoned vet Gudchild (of the Fadzai and She Loves Me fame) is a big hit in Zimbabwe 27th spot on the end of year countdown. It typifies the rhumba sound that has made Tony G the star producer he is today.

One of the best Ndebele rappers, Akili, marks his territory in the industry with a heart stopping effort on Tsotsi. This is the kind of feel good song for the ladies expressed by lyricism at its highest pedigree. The beat is more kwaito than anything and the execution of the song is good with the man throwing in all sorts of witty rhymes like 'Wonke cherry size Kilimanjaro zwakala amaBig sisters with hipsters...' The brother and sister duo from Victoria Falls, PO'Zee & Skhu live up to their reputation on the massive Eta Hola which is a party track that cannot be overlooked. I can see Bulawayo getting down to this one. I was impressed by the track Shingirira done by Brian Ngwenya (especially since i have never heard of him before its god to know that new artists are making good music). He sings about a girl who drives him crazy called Chipo who he intends to ask out and state love for until she accepts him. The style here is a mixture of Urban Grooves, reggae and contemporary music with some neatly done vocals. Pamza's Hayi My Lovie was another refreshing listen and it is great to hear more ladies coming up in the industry. She has a strong voice that she uses very well on the particular kwaito sounding track (no guess that its a love song given the title).

Other tracks that will be set to do well are Gud Simbi by dancehall star Cojack, the house feel on Wherever U Go by Tess(this one reminds me of Where I wanna Be by Mina Nawe and Destiny by Malaika) and the smooth Without U by ex Romeo front man Yoko T. This compilation proves the versatility of the artists at Baseline Records (and the producer too) with genres ranging from Urban Contemporary to Kwaito. It is evident that this team is 4 compilation albums into the business, they do it well. This is definitely not your typical Urban Grooves album as it is not that predictable but something a little more exciting and refreshing with a blend of youth and experience. There is something in there for almost every ear. This is recommended for those who like Urban Contemporary, Rhumba, House and Kwaito.

Buy the album here: http://zimvibes.com/index.php?ind=reviews&op=entry_view&iden=493

Cover Art - 4/10

Music - 7/10

Technical Sound - 7/10

'I Like Factor' - 6/10

Madiz - Rhumba Plus (2007)

Madiz rose to prominence through his work on other people's songs other than his own in the initial stages of his career which started around 2003. For those who do not know, Madiz is the man behind the popular hooks by fellow Gweru artist Nasty Trixx from his debut album Kupinda Newe. He has also featured on Maskiri's track Ngaakoreswe as well as Diana Samkange's Chingave Chii from the compilation Bhodho Size one. Before releasing his smash hit single Amina featuring Abisha Makombe in 2006, Madiz was part of the Baseline Records collective, Souls of Africa who had the popular song Madam Chamunoda.

Rhumba Plus is the exciting debut album by Madiz produced by legendary Gweru producer, Tony G. It has undoubtedly put Madiz on the elite list of some of Zimbabwe's best Urban Groovers. The album opens up with the exciting Kazevezeve featuring Abisha Makombe which adopts a kizomba zouk type beat but with a lovely Zimbabwean twist and it changes mid way not once but twice. Basically it is 3 different beats for one song! The track is about kazevezeve kemwoyo waMadiz (the whisper of his heart). This is one of the 3 songs from this album that made it into the Top 100 of 2008 charts on Power FM.The only part i did not like about this song was the fact that towards the end when it switches to the rhumba beat he uses the lyrics he used on Ndanakirwa and Amina. I would have loved to hear something a bit different, maybe more creative. I still sing along to the song every time i play it but amana tipewiwo maSerious!

Vhenenziya is a dance tune that deserves a chance on the airwaves because i am very sure it will cause headaches wherever it is played. What i like about the production by Tony G is that he makes his music very unique and does not try to do what other people do. This particular track is about finding the love of your life in bed with someone other than yourself. Considering the content, the song is rather enjoyable! That afrohouse feel definitely has me dancing away in no time. Throughout the album Madiz experiements with different tempos which makes him use his voice in unpredictable ways. It is without doubt that he is blessed with a very good voice. He shows this on the song Ndafarira which is a good love song. Ndanakirwa is possibly the most popular song from this album which is a rhumba piece that has been responsible for many sweaty bodies on dancefloors around the country and abroad. It is the kind of song that makes you realise that Urban Grooves has evolved from the typical computer generated music that was resented at first, into a much more exciting genre.

All in all this album is a great listen. Concerning the lows i mentioned before, Ndanakirwa also has a remix version which was ok though i would have preferred a completely new song altogether. Rhumba Plus also contains the other hit song Murume Wangu as well as the ever so popular Amina. I think for a debut album Madiz has done a good job and one can only wait until the next album to hear what else he has to offer. Go and get a copy of this one especially if you like Urban Grooves, Afro House, Zouk or Rhumba because it is all slotted in there.

Cover Art - 6/10
Music - 8/10
Mixing & Mastering - 7/10
'I Like Factor' - 6.5/10

Kazevezeve

Flavour P - Original Zimbo (2008)

Flavour P was relatively unknown until he took the internet by storm dropping a number of songs in 2008 that were well received by the Zimbabwean community with access to his material. The Original Zimbo album is co-produced by Jusa of ABRA fame. I hear that Flavour P has 2 albums prior to this offering which i am yet to hear and would have loved to hear them to have a bar to use as a comparison on how he has grown over the years.

The first proper single from his third album Original Zimbo, Ndirikuda Kufara which features Zimbabwe's Kora Award Nominee Jusa Dementor opens up this journey and it does not disappoint. For the first song on the CD I can definitely say it is a great opener. The man is calling upon everyone to enjoy his music because he will not be happy if the listeners arent happy as well. I am sure this song is already a party anthem and for the Zimbabwean music scene can easily become a hit song. One Family is an interesting track about togetherness and has a catchy bass with pentatonic rhythms that are popular among African music. I think this song needed a bit more vocal control on some parts to convey the emotion intended by Flavour P. Another alternative could have been to get a singer to help out to give the song that finesse it needed. It is still an inspirational piece that calls for all of us to love each other. Great message indeed.

The title track Original Zimbo is on the massively popular riddim by Jusa, Konzeresa Riddim. On this track Flavour P flexes his flow with an energetic delivery. He praises all Zimbabweans and names some of the most prominent Zimbabweans as a way of showing us all that we have successful people among ourselves. It is a good song about Zimbabwean pride and worth a listen. I also enjoyed the song Amai dedicated to the love of mothers. It is on one of the riddims by Jusa and sounds like a Jamaican production. I think of the whole album this song was the most well done from the lyrics to the production and kudos to the 2 guys for their work on this song. Would make any mother proud! Unondivhiringa is another song on this album that has a great chorus sung by one Dubblin who does a phenominal job. This is Urban grooves at its very best. For the sake of positive criticism, hoping Flavour P will get a chance to read this, you can tell his verses on this song are different from some of his songs done more recently. He has improved a lot and the verses do not do justice to the work done by Dubblin. It also sounds like the song was recorded in different places and the vocals mixed by different people because for some reason Dubblin's parts sound more 'plush' than those done by Flavour P. I really wish they can redo this song because it is a great love song and Flavour P can do much better. Another song which is a great Urban Grooves love song is Mwana Uripo. I particularly enjoyed his witty lyrics on the song Uri Razor like 'Teki teki saMahobho nehusiku, teki teki kunge bhurugwa nebhandi ... iwe uri cream ndofunga unotapira kupfuura Sun Jam, ... this is not a dream, what is your name?' If he really sits down and takes time i have no doubt he would have a hit song called Teki Teki right now. On the witty side comes Une Power which has funny lyrics.

Original Zimbo has some enjoyable tracks and Urban Grooves fans will find something they like. I think first port of call for Flavour P is to work on quality before quantity. 20 tracks is fair and fine but i would prefer 10 exceptional tracks given the preference. This is so because you can tell that there is quite a time line between the songs and quality differs throughout from vocals to the instruments. Considering that now he has moved to the States it would be great to hear if he can employ the services of a professional recording studio and sound engineer to improve on his quality because i think he has what it takes but needs to take time on his projects to give listeners the best he can. I also noticed that the man did not sound comfortable on dancehall riddims as he does on more Urban Grooves inclined instrumentals so he might want to stick to pure Urban Grooves next time. I did not like Ndinokuda because it sounded like he just took the beat from P-Squares song Temptation and added a kick and changed the tempo a little. Not a good look bro! Seriously! All in all this album is quite ok and when Flavour is up to it he does a good job. This one would be suited to fans of artists like Nasty Trixx, Stunner and Maskiri.

Get the album here: http://www.zimvibes.com/index.php?ind=reviews&op=entry_view&iden=478

Cover Art - 5/10 (Good pic but big let down on the font)
Music - 6/10 (Many highs as well as lows)
Mixing and Mastering - 3/10
'I Like Factor' - 5/10

Snaka Dread - Musikana Wandinoda Video

Zimbabwean dancehall sensation Snaka Dread announces his entry onto the music scene with the video for the smash hit Musikana Wandinoda from his debut album Black Warrior. The hit single is on the Snake Bite Riddim produced by Mutare's own Alfire. Great song, great video!