Soosh. . . the baddest boy in 2010

Soosh(Tendai Maswiswi) is a man who needs no introduction to the XBC audience having graced our 2009 Top 30 jams with the heartfelt You Gone Now featuring Dee. You might remember him from the Zim Hip Hop duo DS & Soosh who gave you the album Clueless. 2010 is that kind of year where 'The baddest boy' (as he is known) is not holding back. He sent us 2 singles that are straight off the Richter Scale and we will get to those freebies in a moment....



What has Soosh been up to of late? Soosh (27) was based in Lusaka, Zambia and was working Hot 87.7 fm which is a private radio station as a radio deejay and as a club deejay and emcee at Zenon Night Club. Since the beginning of 2009 he has moved onto the Copperbelt (Kitwe to be exact) in Zambia and was working for YAR 89.8 fm, another private radio station. At the moment he is freelancing in the private sector of the entertainment world in 3 different countries. Rapper, DJ, maybe next he gon get into acting.

Check out the hot new singles, top notch and still mahara!

Move Back - Now this track is my personal favourite. Why? Coz it shows u exactly why Soosh is actually the baddest on the mic. Comparing with his previous work and taking nothing away from it, there is unmistakeable maturity and confidence. Lyrically, just so you know, you cannot afford to miss a word he says. I found myself laughing at the 'dig' at a long time rival of his (you know who he is, infact listen to the song if you don't). For the record Soosh my friend, i did rewind that part myself. I remember telling him how impressed i was with the overall production and in terms of quality this song is just about faultless. That is how WhereItsAt Records does things (shout out to DS!)
Download Move Back here (mp3): http://sharebee.com/cab7fa60

Close Your Eyes - There are some songs that go beyond a simple listening experience and Close Your Eyes is one such song. The emotional connection of the song had me in thought patterns i don't experience often. The realistic take on life here is one i appreciate and this defines an impressive touch of versatility in the new material. I have no doubts that if you don't know who Soosh is by now, your eyes are definitely closed.
Download Close Your Eyes here (mp3): http://sharebee.com/6f7ebc00

Wreckless - Riddim & Bassline (2010)

The name Wreckless dates back to the years when the urban genre started getting recognition with Chamhembe (That Squad) heading the whole thing. This man's CV is deep with the most popular of his collaborations being the song Kuchamhembe with the beautiful Tererai Mugwadi. Besides that he has done songs with the likes of Roki (Mazuva), James Adam(Chikondi) & the very sexy Cindy (Dhindindi).

Riddim & Bassline kicks off with an intro that gets you up on your feet, no holds barred. Reload carries the tempo of the intro with some seriously deep basslines and if there was anything like feel good dancehall this could just be it! It's a great way to start a CD with the positive vibes. One of the lead singles from this album is 4 Always featuring Rue. This is a mid tempo love song which would light up any party or gig without a doubt. Rue does a great job on this piece. I quite like the brand of dancehall that Wreckless brings to the table because it is unique and shows how much variety Zim dancehall has come to offer especially with the huge success of artists like King Shaddy, Winky D and Sniper Storm who mix English/patois with Shona.... And here comes Wreckless with a different style altogether!

Voodoo (loving the title in connection with the song!) is one of my favourite jams on a hip hop kind of beat. It features one of the first ever female vocalists on the urban scene, Sarah and i have to say whenever Wreckless collaborates with a female it always comes out wicked. Believe it or not given the song title, its a love song but cleverly expressed. The greatness extends to Love and Happiness featuring Nesu (this lady needs to drop an album, real talk). For a song about love given the style Wreckless delivers and how calm the song felt, i was nothing short of impressed. Undoubtedly one of the bangers on this album is Breeze featuring Cindy and Roki. The beat itself certifies this song as a hit. All three artists on this song make it such a great song and when we played it on the podcasts the response was quite encouraging. i loved Cindy's verse because it was so unexpected to take that 'patois' inclination. Another favourite of mine is Badman Territory and i would love to shake the hand of whoever produced that song. The beat is sick sick sick. The lead single, Evacuate, is right from the top drawer and it sums up much of this album for me.

After the listening experience i can say this 18 track album has more highs than lows. With a heavy production line up as well as collabos i found it pleasant to have so many different styles compiled into one. As i always say an 18 track album is a bit too much nowadays where an artist generally needs to try and captivate his audience in as few songs as possible. Other songs to look out for are Gimme Some More feat Kevie, From The Heart and Rub a dub. This is your 'Friday night at the club' and 'Saturday party after the bbq' kind of offering and if you are looking to have a good time with banging beats, look no further.

Cover Art - 7/10
Music - 7.5/10
Technical Sound - 7/10
'I Like Factor - 7/10

Winky D - Come 2 Tek Ova/Chatsva (2009)

It is without a doubt that Winky D is one of the most respected and possibly the hardest working dancehall artist in Zimbabwe at the moment. This comes after the smashing success of his 2008 full length debut, Vanhu Vakuru (though he claims to have 2 albums prior to that). Come 2 Tek Ova/Chatsva is the surprise double disc with 34 tracks released late last year. Chatsva is done mostly in Shona and Come 2 Tek Ova in English/patois.

Come 2 Tek Ova
Some fans will have seen the video for the song Mi Nah on youtube or wherever else (which isn't really anything to write home about, i liked the Luckspin Medley video a lot more). I like the melody and Winky proclaims that there are things he will never do which would otherwise taint his image and make him more of a hypocrite than anything. He heavily uses the auto-tune effect popularised by T-Pain. Education is The Key (as the title suggests) is self explanatory and its more for the young ones who he encourages to take school seriously. The song Moma is a dedication to his mother who he always mentions in regards to his success. The message is great but the execution left a lot to be desired, the beat was a huge let down like many others on this double CD.

She Loves Me takes a sample from Vybz Kartel's worldwide hit Virginity but is nowhere near as good. Disappointing to say the least. Bigger Size is a very sexually suggestive song about the done and dusted topic of 'does size matter'. It's actually quite hilarious and Winky D has a lot of humour in his lyrics which often makes his songs well worth a listen. Same goes for the song Yogueta (whatever that means). Love Magician explores the sexual side of things yet again and is a very well done piece. The riddim is straight from the top shelf, no questions asked. Haul & Pull Op is a favourite of mine and reminds me of the dancehall tracks of the early 2000s. I think Tell Her is is definitely the top cut from this CD considering the overall production. I am definitely feeling the riddim there which sounded solid and complete.

It came as a surpise that song of the moment 'Green Like Mi Garden' which could well be an international hit does not appear on this double disc. The song has a hip hop influenced beat with 'Di Big Man' coming in with some great flow and energy. It would have been a great inclusion.

Chatsva
Many tracks from this CD were previewed in 2009 on Winky D's facebook and reverbnation pages including favourites Zvimoko Zvevanhu & Mabhebhi Ekusabhabha. These 2 songs have some of Winky D's finest lyrics though the production was not really good he makes up for it in his witty choice of words. Zvimoko Zvevanhu iSong inokonzeresa and Winky refers to taking other peoples women with no regrets about it. I thought the versions we heard then were demo versions to be properly done and to my disappointment they seem to have been the final versions. On this CD Winky D picks up from where he left off on Vanhu Vakuru.

The title track is one of those typical Winky D certified hits. It comes with a great tempo and Winky lets all his haters know that he knows that they do not like him but that will not stop him. Great song. Bhasopo is in the same light as Chatsva and talks about how rumours surfaced that he 'disappeared' in London after his live shows. Ndimba Ndimba is one song that is a likely hit and takes after his previous hits like Vanofamba Vachitaura. Again it is a song about how Winky D has haters and those are the type of people his people know how to deal with. It seems a lot of his lyrics are riddled with violent subjects evidenced by songs like PaGaza, MaNinja and the hit song Iwewe.

The overall production on this double album is poor. There is hardly any decent mixing done here, so you might as well forget mastering at that. It's not something i would ever want to write about Winky D as he is one of my favourite artists in recent years but this project was rushed and nowhere near as well done as his previous offering. It seems to be a quickly put together, 'meant to be testimony of his hard work' kind of album but for me this does not fly. I would rather take 12 very well done songs with a decent effort put towards realising a high standard of music.

I know he has been getting rave reviews about this album from the local press but after taking a listen a lot of questions are raised. Lyrically, it does not seem like the man has grown much at all since his last release. Not that his lyrics aren't good, but he seems to be in the same zone as over a year ago which brings doubt to his versatility (of which he definitely has). I write all this simply because i know an artist of Winky D's calibre can do much better and with the standard he set on Vanhu Vakuru this is more of a backward step than forward. In comparison with Sniper Storm's The Voice album (one of Winky D's direct competitors in the dancehall game) i realise how unfair the music industry can be, because comparing the 2 it's very easy to tell where significant time and effort were put in yet hardly anyone speaks of Sniper's album besides it being very good. All in all Come 2 Tek Ova/Chatsva is a huge let down for me. Having written all this i can still bet my bottom dollar that he has already received enough 'big ups' for a job well done and his fans of old will love the album anyway.

Buy the album here:
http://winkydonline.com/blog/store/

Cover Art - 5/10
Music - 5/10
Technical Sound - 3/10
'I Like Factor' - 4/10

Danayi Murapa - Munerudo (2010)

The Zimbabwean gospel music scene is awash with talent and i have always stated that fact time and again. Last year i was tuned in to one of the Zim internet radio stations and heard a song that simply blew me away. It prompted me to look for it and just my luck because i found it and at the same time discovered a brilliant artist at that. The name 'Danayi Murapa' may not ring a bell to most of you but let that not deter you from taking a listen to what she has to offer.

The intro is beautiful with lovely instrumentation as well as the singing. It is an invitation for everyone to call on to the Lord through all situations. I wish it was a longer into though, being only a minute. Ndichengetei is a mellow gospel groove with that distinct gospel sound we have come to expect over the years. The formula simply works and it will sit well with many a gospel fan or music fan in general. She asks for God's guidance in this journey of life as there are many hurdles along the way. Munerudo, the title track is stuff legends are made of. This is the song that prompted me to try and find out who Danayi Murapa is. Sabastian Magacha makes an appearance on this beautiful piece and the 2 artists complement each other with such conviction. Mukoma Saba vanomira mira hama dzangu! To tell you the truth i have no idea why this song has not yet made the charts in Zimbabwe because it is excellent. I like how it is listenable across all ages at the same time carrying a relevant message. This is as good as gospel music gets! I noted that the final album version is slightly different from the initial version that circulated a few months back. It still sounds great regardless.

Another lovely cut from this album is Zorora featuring Tembalami. This is pure 'feel good' gospel music and i found myself singing along and dancing. Munerudo is still my favourite but Zorora is a close second. The artists sing of God's goodness and his deliverance from those tiresome tribulations. Well done to Tembalami, i would like to hear what his music sounds like. This one is joining Munerudo on my iPod, no questions asked. Upon giving this album a listen one thing stood out, the uniform quality from start to finish. Kudos to you Danayi, this is top notch stuff. It was great to listen and connect with the effort put into this album. The other 2 songs, Ndapererwa featuring the very beautiful Petronella Gobvu and Zarura are quite good. Danayi's voice is unique and she uses it well, she knows her vocal abilities which is essential for success as an artist.

The only downside to this album for me was the fact that of the 7 tracks, one is a minute long intro and another an instrumental which leaves it down to 5 songs. I am not a fan of albums that are either too short or too long. Next time i would love to hear 8-12 tracks, i really think that is something artists need to consider for their fans and in Danayi's case she has already proved she can be versatile so why not give us more? All in all this album is brilliant, a must hear especially for those inclined to gospel music. Recommended if you are into artists like Sabastian Magacha, Taurai Gorden Nzira and Bethan Pasinawako. Please do not hesitate to get a copy!


You can buy the album here:
http://indiekazoo.com/vangodzatunes/778

Cover Art - 7/10 (beautiful)
Music - 7/10
Technical Sound - 7.5/10
'I Like' Factor - 8/10 (really love her work)

BKay & Kazz - Boomslang (2009)

BKay and Kazz have been on this musical journey for a while now. These 2 brothers have grown from strength to strength. I remember seeing their video for Ndikati Hello on Channel O 4 years ago without a clue who they were. Now they reign as ambassadors for Zimbabwe through their brilliant work. They released their debut album, In The Beginning, 5 years ago and it was more for the Zimbabwean and Malawian markets where their roots lie. Boomslang is their first international release and their approach is different from last time around.

Don't Stop opens up the 16 track Boomslang album with an infectious rhythm that will have you dancing. It is a dancehall track with a very commercially acceptable aspect about it such that you don't have to be a dancehall fan to enjoy it. These guys sing real music and the song relates to their will to succeed. I Wanna Get Loved is impressive. The vocal abilities that these guys have will surprise you and it is also part of what makes them so versatile. The inclusion of Ndikati Hello is one i did not expect but given that among Zimbabweans it is their most popular track and this being an international release they wanted to show that they have come a long way. Despite the track being old it by no means compromises the quality of this album and it rates highly. Decibel did his thing very well here! The same goes for Senorita concerning it being on their debut but it sounds so good i thought i was hearing it for the first time.

There are quite a few songs with videos here and i am hoping these guys come out with a DVD album as well. You Know It's Right is one of the songs with a video. This song is great, well composed, well sung and well put together. The video? Awesome! Whatever formula these guys are using it is definitely working. You Know It's Right has 2 versions here and they are both good. We played The Music Drive on our podcasts and the reception speaks for itself. The track is just massive. A definite banger and the dancehall baseline that accompanies the powerful vocals led me to have this song on repeat. It features Decibel and the man has not lost his touch at all. Of the whole album Amina Kadeya is my favourite. The way they took an old nursery school game and made it into a dance track is genius. VanaWezhira from Masvingo are talented, jealous down hama dzangu! I tip this to be one of the party regulars in 2010.

BKay & Kazz are some of the hardest working artists around and their album proves it. A lot of the songs on this offering were released as singles. Other songs to look out for include Wynd With Me, Leave Me Alone and Crazy Baby. I really liked this album from start to finish and i could change with the mood of the album without feeling robbed of any quality and so forth. There is something in there for everyone. I found very little fault to this album, it leaves you satisfied with your purchase.

Get the album here: http://www.tradebit.com/filedetail.php/56603725-bkay-kazz (mp3 album) and iTunes http://itunes.apple.com/us/album/boomslang/id340251008

Cover Art - 8/10
Music - 8/10
Technical Sound - 7/10
'I Like Factor' - 8/10

Shumba DJs - Tambayi Funky Anthems (2009)

Zimbabwean house music hasn't quite established itself compared to the other youthful genres. Having noted that, the genre is experiencing an exciting time after the success of the Native Flash and Zim DJ albums with hits such as Jobho (Remix) and House of Stone. Shumba DJs are relatively new to the scene 'by name' but with years of experience as DJs on the local and international stage. For this debut offering they have teamed up with Beatovenz on a 5 album deal.

The album opens up with One of These Days which is a dance classic. The song adopts a sound that house lovers would instantly connect with and would light up dancefloors across the world without fail. The song maintains the same tempo throughout with some excellent use of the bongo which makes the song very catchy. Zvamauya Zvanaka is a feel good song about how our relations with friends and family mean a lot to us. It explores the euphoria of seeing loved ones after a long time and the joys of rediscovering that closeness. The song is well sung as well. Tambai made me think of the days when kwaito was still the real deal when artists like M'du, Arthur, Abashante and B.O.P were churning out hits on a regular basis. It has that 'old school' feel to it. I felt the same way listening to Happy Birthday where Primrose Gwata sang her lungs out! I am guessing these guys must have been kwaito/digong fans at some point.

Wynd For Me by BKay and Kazz is the first song from this album that came out some time back. The song is a straight banger and BKay and Kazz (anaWezhira, Masvingo Massive!) are definitely among some of Zimbabwe's best exports within the diaspora. They prove this without a doubt on this tracks singing about the beauty of a girl who is on the dancefloor who is looking lonely. These guys surely know how to hype up a track and with the Shumba DJs producing a well worked beat this is a collaboration at its best. On My Way sounded experimental and leans more to the techno side of music. It's not really my taste but the composition is still good. Mandela The Great was a very meaningful contribution highlighting that even when we have fun there are sons and daughters who have helped Africa to become what it is today. Their call for Africa to unite is one that many artists should consider. Loved the female vocals on this song.

All in all this 17 track offering is a testimony of what talent, hard work and experience can give you. Besides the songs already mentioned i greatly enjoyed the song Kumusha. Many of us outside Zimbabwe can relate to this song. I believe the number of tracks on this album could have been cut down to a good 12 - 14. That way they would have taken the very best tracks as one or two cuts are rather luke warm. For a debut these guys did well regardless and it's a worthy purchase. I believe Zimbabwean House is truly taking shape and any house music lovers this one is for you. Great work guys!

Get the album here: http://www.zimvibes.com and http://www.vangodzatunes.com

Cover Art - 5/10
Music - 7/10
Technical Sound - 6.5/10
'I Like' Factor - 7/10

Bethen Pasinawako - Anotida (2009)

It always excites me to find relatively new artists doing well other than the usual so and sos we have come to know over the years. The gospel music scene in Zimbabwe is probably the most vibrant and talent nurturing compared to any other genre. Bethen Pasinawako's debut album, Aripo, a couple of years back ranks as one of the best gospel albums ever produced in Zimbabwe and she gives us her sophomore offering, Anotida.

We played the title track, Anotida, a few weeks back on the XBC podcasts and the reception was quite overwhelming among gospel fans and others alike. The song is quite laid back and will be familiar with many people as one of the songs we used to sing in church from long back. The instrumentantion is commendable, definitely one of my favourites cuts off the album. Donhodzo is a bit more uptempo mixing many elements of gospel, rhumba and so forth. It got me on my feet and she is singing about how the time has come for us to wipe our tears and be happy again. Gundawakunda is on a similar tip and it is a celebratory piece about God's victory in His actions. It adopts a popular sound from South African gospel of the late 90s. Mamuri is a dance track and would be great for gatherings. It reminds me of the late 80s and early 90s. It could pass for a kwaito track and i loved hearing Bethen sing in Ndebele, English and Shona on the same track.

Namatwai was an absolute surprise on this album. There is a sound i had grown to expect as i listened through the songs and this one was nowhere near that! It starts with an old school RnB flavour and a piano that is as sweet as it can get. It got me wondering how Bethen would fair singing Shona RnB then the beat changed and became much more 'Zimbabweanised'. Anti-climax! Well to be fair the song is still great but i would like to see her explore that RnB side which sounded so great on a song or two. Pfugama Unamate is an old church hymn with a personal Bethen touch that and i think this one will be a favourite of many, young and old. It testifies to Bethen's ability to make her music appeal to various age groups. I love the mbira on this song and the lead guitar is also well worked with an undeniable Zimbabwean sound. Nditungamirei variates between a subtle reggae sound and a familiar Rebecca Malope/Lundi kind of sound. Another good song and as the title suggests it is a track about asking for God's guidance through life days.

I believe we have another gospel star made in Bethen Pasinawako. This brilliant album shows that she has a lot more to give with such an exciting voice. A perfect example of a great comeback. Other tracks to look out for are the sad Famba Zvakanaka and Andidana (which sounds a lot like her song Jehovah Jireh from her previous offering). I am highly impressed. Get yourself a copy!

Cover Art - 5/10
Music - 8/10
Technical Sound - 7/10
'I Like' Factor - 7/10

Sniper Storm - The Voice (2009)

Sniper Storm is one of Zimbabwean dancehalls best acts and he has proved it time and again from the days of Gede Mwana through to the hit songs Kubhinya and One Room. Of late, the man had been doing mostly shows between his debut album, Ndakabata Mic 2009 and now. Many thought the man was out of the business but he is back with a brand new album, The Voice.

This piece opens up with Joy where Sniper proclaims that 'tauya kuzofara' (we have come to have a good time). It is an uptempo track that will get you dancing in no time. He gives his respect to other artists like King Labash and Winky D who many consider his rivals (im sure that squashes any beef rumours). The Buju Banton (Boom Bye Bye) inspired Soddom hit me from nowhere. The song is controversial considering the subject; gays and lesbians. He sings that 'vakadzi pavarume ndozvatinoda' (we want women to be with men). You have to hear this song for yourself. The truth is it is a touchy subject and the song will definitely be more appreciated in Zimbabwe. Having said his lyrics are quite funny though. As soon as Soddom was done, Chirungu just gave me a low blow yet again. At first when i listened to the track i thought, is this guy serious? Then i listened CAREFULLY.

Ini handidadi nechirungu
Handiite zvechirungu
Handifarire chirungu nokuti handisi murungu
Chikafu chechirungu
Tsika dzechirungu
Mwari wechirungu
Manamatiro echirungu
Handisi kuti ini ndakamaka varungu
Handivenge murungu kana kushora chirungu
Chandingatoda pamwe mukadzi wechirungu
Kudanana nemurungu zvekusvotesa varungu

Translated:
I do not take pride in westernised culture
I do not do western things
I do not like the western culture because i am not a white man
I do not like the white man's food
Nor his culture
I do not like the white man's god
Or his ways of religion
I am not saying i dislike white people
I do not hate whites or their culture
I would not mind dating a white woman
To be in love with her just to annoy white people

It's simple, this song can be taken the wrong way yet what he really is saying is that as a black Zimbabwean he finds many things wrong with our society disregarding our own culture to do things that otherwise originated from foreign countries. The man speaks his mind, no holds barred! Well worth a listen.

Madhara Madhara has a video (youtube) done by video guru Enqore. On this song he is saying he is back and some people thought he was dead. Self praise really (enjoyable at that!). Paradise featuring songstress Cindy Raw is a great track and i'm sure it will blaze many a dancehall! Cindy Raw is doing a great job in the industry and besides Plaxedes Wenyika is probably the most consistant lady in Urban Grooves. The collaboration between Diana and Sniper, Ndoda, is definitely a song to watch out for. I think it has the potential to be a big hit and is produced by hot Urban producer Russo. It is a love song where Diana is looking for love and Sniper is telling her how much love he can give. Dhanda Head is a hilarious track about 'not so clever' people who do things that leave you wondering where their common sense lies. Handimude is another track with lyrics that will leave you in stitches;

'Ndiani angade musikana anoshorwa nevamwe?
Anonzi hure, pfambi nevamwe
Pese paari anongozezwa nevanhu
Kutukwa kunyeyiwa kutyiwa
Anehunhu hwechibhanditi
Hapana chake chechokwadi
Anodanana nevamwe 50
Apa ndiwe unoitwa bhambi
Anoita kuti vanhu vakunzwire tsitsi
Kwauri akakosha ingirozi
Apa mumwe achingoti kachoki
Anonzi rubbish, marara, marutsi nevanhu'

Msoja is one of the best tracks this album has to offer. Sniper highlights the fearsome nature of soldiers and the high levels of respect they command wherever they are. He attributes this aspect to factors like the vigorous training they receive hence their potential to injure or even kill if need be. This song will win him many fans i am sure. Handife is the track doing well on the charts at the writing of this review. It is probably on the charts more because of its gospel inclination but does not compare to other songs on this album. It so happens to be a good track regardless just that i would pick at least 5 other songs as the lead single before it.

For 21 tracks, this album is worth every cent you spend on it packed with heat from start to finish. As a sophomore offering it definitely has a very high rating on all fronts. I reckon this album has more hit singles compared to Ndakabata Mic 2009 (taking nothing away from the latter!). I was hoping that his dance song Mai Chisamba which he performs at shows would be on this album but unfortunately he seems to save it only for the live performances. This is one of the best dancehall albums to come out of Zimbabwe and get yourself a copy!

Cover Art - 6/10
Music - 7/10
Technical Sound - 7/10
'I Like' Factor - 7/10

Nasty Trixx - Vapamhe (2008)

Trust Dojiwe better known in the music circles as Nasty Trixx is back with a new album and Maskiri's so called sound alike has his chance to prove that he has what it takes to stay on top. I am sure many of you out there remember the smash hit 'ChiDanger (Chimoko)' from his 2004 debut Kupinda Newe. I can confirm every song on that album was a certified hit and it put this young man on the map.

A song from the new offering that made rave reviews in 2006 is DDF (which was also on the Bhodho Size One compilation by Tony G). The song is produced by Tony G and is a comical piece about a girl who wished for Nasty Trixx to become her lover. Apparently in the song, Nasty Trixx overhears the girl at church praying for divine intervention in her quest for love. On the other hand, Nasty confirms that the young lady is so beautiful he is already in love with her after having met her on the bus the previous day. The concept just makes me laugh! Great stuff! It is also the only Tony G production there as the two parted ways over unspecified differences. This new album also contains the hit song Kukakika which made an impressive position on the 2008 Power FM charts. The title is a descriptive word about how beautiful a woman is and the song is a testimony of how clever Nasty Trixx can be. When it comes to women, it seems like that is his area of choice lyrically.

Unfortunately the 2 songs mentioned above are as good as this album gets and the other tracks are a complete waste of time. I hate to say it like that but if you compare Nasty Trixx on his tracks produced by Tony G and the ones by the producer he is working with now, you can tell that there is no contest. The music is horrible and amateurish to say the least. I reckon my 15 year old brother can do better on productions. My colleague upon hearing this album asked me, "Is this a demo album by Nasty Trixx from 10 years ago?" That is simply how bad it is. I would have written about the tracks in detail as i usually do but this time i do not see the point. The only other song i could mention is Ndopisa Musoro in which he blasts former friends Tony G and Madiz who had a major part in his first album. He claims Tony G shortchanged him from his album royalties and when he left Baseline Studios, Tony G was stranded and other artists left. The same producer he is dissing so happens to have, by far, the best track on this album. On the same page, comparing with Kupinda Newe, this new album has not as much as a good chorus which Madiz was mostly responsible for first time around. Sadly, truth be told, Tony G and Madiz are having the last laugh on this one enjoying enough success in the past 2 years.

Enough said, this ranks as one of the most disappointing sophomore albums i have heard in a long time. By this showing, i think Nasty Trixx will be a nobody in the industry within the next 2 years unless he rejoins Tony G's camp or finds a producer who is just as good or better. Kukakika just so happens to be the single that is a glimmer of hope in an otherwise dwindling career. Nasty you can do much better!

Music - 2/10
Technical Sound - 1/10
'I Like Factor' - 2/10

Fame Nickles - Battlescars Mixtape (2009)

Zimbabwe's finest in Toronto is back. This mixtape hit me by surprise since i have been bugging Fame Nickles for a solid drop for about 3 years now. Finally the man decided to compile some of his best work and give his fans something to keep in the library. As he says in the intro 'Fame Nickles reporting for duty' and trust, it's no lie. Before i even review the mixtape in detail, lets face facts Fame is damn generous to give a mixtape of this quality for free coz i would have sold it had it been mine!

Yeah That's Me opens up this piece and its a proclamation of Fame's sense of self. Opening statement: "My heart pump Hip Hop..." you get a feel of how Fame takes his music very seriously. The beat is sick (sick sick sick!) and kudos to Rymez for that massive production. For the opening track i must say it was well thought out, the kind of song that makes you want to listen to more songs from the man. Get It has a video on Youtube and it actually sounds much better than i thought. Again, i have to say the production was just top notch, this time by SubZ of 25 To Lyf (Mutare massive). Check out the video though, some nice honeys in there! Ok, im no perve but some things are hard not to notice. I got the vibe that Fame was on a warpath on this mixtape, songs like Bushlands In The Place, The Accused, War Shit and Checkmate are hardcore boom bap type beats with hard hitting lyrics. One of my favourite songs on this mixtape is Damn Shame. It's one of those songs that gets you nodding your head, a true head banger. My favourite line: "First of all, get yourself a Nickles CD, they can take away your body but your mind can be free, Next learn how not to follow what society feels, Having an opinion means you decide if its real." Classic stuff!

Lyrically Fame is versatile and clever. The whole mixtape is riddled with intelligence which makes him an MC with substance. This is where i find Fame to have an edge over many other MCs. Besides that, his beats are different, some what a fusion of old school and new school. Never Give In is one of the stand out tracks where he talks about politics, reality and doing this for a cause. You can almost tell how much hunger he has through song. Did i mention this MC is very opinionated? Having mentioned that, its quite hard not to agree with a lot of what he says. Fame's F****d Up is on a different level. The beat is quite toned down yet his message makes you think twice about stepping up to him if you ever will (haters?). I got an exclusive of Mind Food and for sure Fame knows it's another stand out track as i told him. All said and done Hate on Hater is THE track on this mixtape. I also got an exclusive listen to this track prior to the mixtape drop and i have been bopping to it for a while. Like the title suggests, Fame does not care whether you hate or whatever. That's my jam, period.

This is a feel good mixtape with a lot of realism contained. It has its grimey side but still maintains that enjoyable feeling. If you like hip hop chances are you will enjoy this a whole lot. It's 26 tracks deep and you can hardly go wrong. I am not sure about the number of tracks though because it's hard to keep people attentive throughout the whole thing. Having said that, i still managed to listen to the very end! This is Zimbabwean Hip Hop (ok so its pretty much international but Fame muzukuru!) on a totally different level and its of the highest standard. Very highly recommended (did i mention it's free?!)

Download the Battlescars Mixtape here: http://www.mediafire.com/?gzzddyzmt0j

Cover Art - 5/10
Music - 8/10
Technical Sound - 7/10
'I Like' Factor - 7/10

Xtra Large - One Drop (2008)

Maroja adzoka futi! These guys simply DO NOT give up. Last time i said i thought these guys would be done and dusted by now. A little over a year later and guess what? They have a brand new offering for the fans. I think i will not be far off if i say this duo is probably the most hardworking outfit on the urban scene (for a while now) and i still do not know how they manage to release just about an album every year but kudos to them for making it happen. One Drop is the fifth album from Xtra Large after Zvakora, Walembe, Small House and Still At Large.

This time around they add a little extra flavour to the production prowess of MacDee by slotting in Russo and as usual the album is packed with collaborations from seasoned artists like Stunner, Diana and Trevor Dongo as well as unknowns like Samantha and Fadzie. The first single from the album, MaOrange, did quite well on the airwaves late last year. The chorus is a true sing along adopting lyrics from creche like "Aya maOrange, aya maFatcook, Ichi chigaba chehuchi". Landlord is one of the tracks that has managed to do well on the charts in 2009. The backtrack adopts a 'snap music'/'crunk' style popularised by Lil Jon some years ago. Unfortunately, this song did not quite tickle my fancy though i do accept that it is probably the sound most youth are identifying with now (I just like my good old urban grooves!) Besides that, the guys are still quite funny with their hilarious lyrics and social commentary.

The titles of the songs just make you want to listen to the whole album especially if you know what Xtra Large are capable of doing. Doctor is one such song which features Taurai Mandebvu. The group proclaims that they are the doctors of love and if women have any problems they can go to them. Funny stuff! I enjoyed the kizomba style on the song which fits perfectly. Kukura Hakutani is definitely one of the best cuts off this piece and it features Boyz Dzangu and Trevor Dongo. One of the rappers from Boyz Dzangu sounds so much like Maskiri its shocking! The song is about a girl you grow up seeing and she matures into this very beautiful woman and all you want to do is make her yours. I enjoy the concepts these guys bring, they definitely haven't run out of ideas. Tsano is my favourite song on the whole album and it focuses on a brother-in-law who is greedy when it comes to food and will eat just about anything for the sake of eating. I couldn't stop laughing! Postman is another funny song though it tackles an issue about adultery which is quite serious in our society especially with AIDS and other diseases around.

Generally this album is quite good and it is mostly vintage Xtra Large as we have grown to appreciate. I think Xtra Large fans of old will have no problem accepting this album. I do think it is not quite as good as their last 2 albums but still well worth having nonetheless. Other songs to watch out for are Baller featuring Stunner and Siyai Vana featuring Trevor Dongo. Highly recommended for your library!

Cover Art - 8/10
Music - 7/10
Technical Sound - 6/10
'I Like Factor' - 6/10

Pastor G - Inspiration (2008)

Pastor G is no stranger to the music industry in Zimbabwe having worked with numerous artists and made a great success of his singing talent. For those who might have forgotten he burst on the scene as part of Delani Makhalima's Shamiso Studios a solid 9 or so years ago with songs like Count Your Blessings, Hande & Walk Alone to name a few.

Inspiration is the latest offering from Pastor G and it is a 14 track sizzler! He has always made somewhat danceable gospel music more inclined to the younger souls. I can describe his music as a mixture of RnB and Afro-Pop where the pastor does enough justice vocally. The title track, Inspiration, is one smooth jam. The instrumentation on the song sounds like a soft rock/pop ballad and it is so well executed i could not help but notice. The lyrics are uplifting and focus on how we find our inspiration from the Lord especially when times are hard and we feel like there is no way out. I have to say the backing vocalists on this song did a superb job equally matching the pastor himself in making the song a gem. Haya Haya has been doing awesomely well on the PowerFM charts and from the moment i heard it i knew why. It is a praise song (rwiyo rwekutenda) where Pastor G proclaims authority and dominion through Jesus Christ. I can see enough people getting down to this one mudzimba and kumaChurch uko. It is a wonderful song that has a feel good 'thing' about it. I listened to it with a smile on my face!

There are some songs which from the moment you hear the intro your expectations are raised. Mubairo does just that! When the beat sets in and you listen to the chorus you get that 'wow' feeling. The beat is simple with an amazingly catchy melody and Sharon Manyika sings this so beautifully. Vakomana Sharon anoimba zvinodadisa! I know Haya Haya is already a hit but people are sleeping on Mubairo! Of the album this is definitely my pick, the best of the lot hands down! (lol). Its another inspirational one and the duo sing about kushinga (being strong, perseverance) encouraging us all never to get tired because God is faithful. Not much i can say except that this song is great. Mandipa is another one that touched me given its very well done vocals. Pastor G has really upped a notch or 2 on this offering. While listening to this album i realised that it really focused on establishing God as the centre of people's lives to give them hope. Considering all the things Zimbabwe has gone through i really connected with this album on that note.

I cannot take anything away from Pastor G on this one, the music was beautiful so was the singing. The collabos added so much versatility to this album, were very well done and you could feel the chemistry between the artists. Other songs to watch out for on this album are Jesu, Ndamirira featuring prince Mafukidze and Turura featuring Gorden Taurai Nzira. Pastor G fans of old will love this and i recommend it to anyone who wants to listen to Zimbabwean music with a difference!

Music - 7/10
Technical Sound - 7/10
'I Like Factor' - 7/10

Rassie Ai - Smiles & Cries/How Come (2009 Video)

Second video from the critically acclaimed debut album 'Return To Life'

Abisha Makombe - Bhomba (2008)

I know the name Abisha Makombe might not immediately ring a bell especially for a lot of people in the diaspora who left Zimbabwe a while ago. That being said be assured that the face of Urban Grooves (though he calls his music Chonde music) is changing. It's great to see new names coming up. Abisha is no stranger to success as he was part of the group Romeo which gave you the big hit, Consider My Feelings. A few years down the line and this man is now a solo artist enjoying being at the top of the music industry.

Bhomba is the debut album by Abisha Makombe which was produced by producer of the moment Anthony Mukanga a.k.a Tony G. This album is 8 tracks deep and boasts of the massively popular Ndire Ndire. From my conversations with Tony G he told me that the song was recorded last for the album and none of them expected it to be a hit. The song recently became popular in the diaspora after spending much of 2008 being the party song of choice with an infectious house sound that can lift you from a bad mood. Ndire Ndire refers to a magic brew which can get you to dizzy heights. In the song Abisha describes how he feels so invincible that he will be fishing for mermaids (kuredza njuzu) and that this is a party to remember that has him on unmatched highs. My pick for song of the year for 2008 and in the diaspora for 2009. Check out the video at the bottom of this post!

Hondo Yemoyo is the second single from the album and its another very good song. This one is about that first love and the pains of being with someone you do not love while spending your time thinking about someone else. It tackles the harsh reality of loveless marriages that seem to occur more often than necessary. The song starts off with a mellow beat which is sad in its own right and really made me think about what he was singing about. Halfway through the song it becomes an up tempo rhumba track. I really would have preferred this one to stay on the sad, mellow beat but its still a good song regardless. Mumwe Wangu is similar to Hondo Yemoyo in focusing on abused love. One partner is lost on the others actions because they seem to only be in love when there is money. Abisha is telling us how a lot of people started with nothing en route to becoming successful and that love should be able to endure poverty. This is definitely one of the best tracks on the album.

I really like Abisha Makombe's originality. His music is different, his voice is different, his singing is different. Throughout the whole album he shows maturity lyrically and offers a different view point from most artists of the Urban Grooves generation. I don't know if he will ever be able to eclipse the success of Ndire Ndire which i believe is set to become a continental and international hit with the right marketing strategies. If you love Rhumba, Zouk, House and Urban Grooves you could find yourself falling in love with this album. Highly recommended!

Music - 8/10
Technical Sound - 7/10
'I Like' Factor - 7/10

Zubz - Cochlea, One Last Letta (2009)

The third offering from Zubz has been one of the most anticipated 2009 hip hop albums in possibly the whole of Africa. For starters Zubz has quite a rep compared to most MCs in the region given his track record from The Last Letta Mixtape right through to the experimental Headphone Music in A Parallel World. Cochlea - One Last Letta is the latest release from the man.

Given the very futuristic inclination on Headphone Music In A Parallel World i was not sure what to expect on this album. First point to note is that every song is double titled (doesn't really bother me). It opens up with Cochlea - The Love Thought featuring soul guru RJ Benjamin which is somewhat an introduction to the whole album. The song is about your ability to turn situations to your advantage by excercising more 'love' in your decision making. In a way it is like the opportunity cost of doing one thing over another. Zubz is amazing at giving musical concepts beyond what would be deemed more widely accepted and i believe it makes his music far more enjoyable. The Entertainer - Smoke Screen Bounce reminds me of his first commercial hit, Superstar where he refers to the variety of listeners who would rather listen to shallow lyrics with a good beat because 'there is more to life'. It questions the willingness of music lovers to engage in deep thought when listening to their favourite musician bearing the question 'Why do we really listen to music'. From an artist perspective the question being 'For what purpose do i make my music?' The song is quite enjoyable with a throwback breakbeat. The beat on Drowning - Running Out of Time also has an old school feel to it (did i mention the venomous energy on the raps?)

The first track i heard from this album is A Different Life - Live It Up featuring the lady Pebbles. It covers many stories in one to convey a message covering issues like being judgemental, stereotyping and vantage point. Part Time Lover - Part Time Freek featuring Ameen shows somewhat the 'fun' element of the music on the album with some great production. The song itself is about being used in relationships for sexual satisfaction where the male is a serial polygamist having left a trail of broken hearts. The following track, Love Blind - My Girl's a... featuring Kabomo tackles the female side of the equation on a soulful note and is a vintage Zubz track. The girl in question is creeping and the man is in denial about it yet the whole world knows (hell if that happened to me!). I really believe Zubz explored his influences within music from the 70s, 80s and 90s for this album giving it his own personal signature (and sounds like he also got some influence from Kanye West on this too).

Besides the ones already mentioned also watch out for I Got This - Bait The Prey, Batanai - A Tale Of Two Cities, Bring U Back featuring Kalakoda and A Pot Of Green Tea - Good Conversation featuring Tracey Lee. For a 16 track album this is a great listen. I am not yet sure if i still prefer this one or Headphone Music in a Parallel World but one thing is for sure i was able to comprehend Cochlea - One Last Letta quicker than i could the former. This is like Zubz reinvented but you will still enjoy what he has to give. Recommended for all the hip hop heads out there!

Buy it here: http://www.pricecheck.co.za/offers/6909677/Emi+Zubz+-+Cochlea+One+Last+Letta/

Cover Art - 6.5/10

Music - 7/10

Technical Sound - 8/10

'I Like Factor' - 7/10

Various Artists - Bhodho Size 3 (2008)

Tony G has been around for a good 6 years in the music industry having started out in 2003 producing the hit single Bata Musoro featuring his alter ego DJ Tula. Over the years the man has produced and released 4 compilation albums starting with Picatto Era (2004) which had the smash hit ChiDanger by Nasty Trixx. 2008 has been a year of wonders for Baseline artists with 11 songs in the Top 100 on the PowerFM charts.

Bhodho Size 3, as the title suggests, is the third instalment of the Bhodho compilations. This one opens up with the Souls of Africa collective who had the immensely popular album Zvepabhodho 4 years ago containing the well known song Madam Chamunoda. Their song on this compilation, Lolita, tackles the issue of being taken for a ride concerning matters of love. In this case the girls name is Lolita and she left some bloke feeling worthless. This song is just brilliant and my favourite part is when the beat changes from a kizomba sound and the tempo is increased into a sizzling rhumba that had me rewinding the song over and over again. The most promising group (in my humble opinion) in Zimbabwe right now, Unique, is also featured with the song Mubhedha. I first heard this song last year and it simply got better once i got my hands on a full length copy. It reminds me of Dino's hit Jatropha as it is also about a woman feeling secluded in a marriage being denied the full (sexual) benefits she thought she would have. Given the prevalence of this topic in recent songs maybe its about time Zim guys start worrying in case the women get fed up for good (lol). The track adopts a near traditional contemporary and Urban Grooves fusion like that of Ndichakuudza Sei by MaFriq. Paunondinyerekedza by seasoned vet Gudchild (of the Fadzai and She Loves Me fame) is a big hit in Zimbabwe 27th spot on the end of year countdown. It typifies the rhumba sound that has made Tony G the star producer he is today.

One of the best Ndebele rappers, Akili, marks his territory in the industry with a heart stopping effort on Tsotsi. This is the kind of feel good song for the ladies expressed by lyricism at its highest pedigree. The beat is more kwaito than anything and the execution of the song is good with the man throwing in all sorts of witty rhymes like 'Wonke cherry size Kilimanjaro zwakala amaBig sisters with hipsters...' The brother and sister duo from Victoria Falls, PO'Zee & Skhu live up to their reputation on the massive Eta Hola which is a party track that cannot be overlooked. I can see Bulawayo getting down to this one. I was impressed by the track Shingirira done by Brian Ngwenya (especially since i have never heard of him before its god to know that new artists are making good music). He sings about a girl who drives him crazy called Chipo who he intends to ask out and state love for until she accepts him. The style here is a mixture of Urban Grooves, reggae and contemporary music with some neatly done vocals. Pamza's Hayi My Lovie was another refreshing listen and it is great to hear more ladies coming up in the industry. She has a strong voice that she uses very well on the particular kwaito sounding track (no guess that its a love song given the title).

Other tracks that will be set to do well are Gud Simbi by dancehall star Cojack, the house feel on Wherever U Go by Tess(this one reminds me of Where I wanna Be by Mina Nawe and Destiny by Malaika) and the smooth Without U by ex Romeo front man Yoko T. This compilation proves the versatility of the artists at Baseline Records (and the producer too) with genres ranging from Urban Contemporary to Kwaito. It is evident that this team is 4 compilation albums into the business, they do it well. This is definitely not your typical Urban Grooves album as it is not that predictable but something a little more exciting and refreshing with a blend of youth and experience. There is something in there for almost every ear. This is recommended for those who like Urban Contemporary, Rhumba, House and Kwaito.

Buy the album here: http://zimvibes.com/index.php?ind=reviews&op=entry_view&iden=493

Cover Art - 4/10

Music - 7/10

Technical Sound - 7/10

'I Like Factor' - 6/10

ExQue - For The Grown & Sexy (2008)

ExQue is back in 2008 with his third full length album entitled 'For The Grown & Sexy' after the okayish 'Love Is My Religion'. Ngapawanewo munhu anomubatsira pamaTitle emaAlbum ake nhai (lol just jokes).

This album is a much anticipated offering considering that ExQue is one of the most successful Urban Groovers from the genres early days. I was looking forward to hearing what ExQue has to say this time around and err... ummmm... nothing has really changed. He uses the same production team from his last album of mainly Russo and MacDee. This one opens up with Mupewo Rudo, the hit song featuring Leonard Mapfumo & MacDee. The song is about a love so good that it eclipses the union of Gospel stars Baba naMai Charamba, Oliver naDaisy Mtukudzi or anyone else who thinks their love is potentially stronger. It is already a hit song featuring on the PowerFM charts this year and currently in the Top 10. The lyrics left my jaws on the floor with lyrics like 'zvinonakidza kuSatisfaya mukadzi, uchimuita yese uchimuspaka mukadzi, uchimukissa kissa uchimuFeeda nerudo... mudzimai ari sensitive, mudzimai ane maPressure points'. Murudo is one of my favourite songs on this offering which also made it to the charts early on in the year. This one features Zimbabwean songstress Tererai Mugwadi and the melody is just beautiful. Thumbs up to this tune! Handidi Newe features musical comedians Xtra Large. It is great to hear Xtra Large still making me laugh after all these years.

ExQue mostly maintains the same sleepish rap that made him popular over the years with the love songs that sometimes leave you wishing you were in a relationship. On Zvaunondiita, it is ExQue like you have never heard before and sounds like a pop song. He makes an attempt at singing (don't be fooled it's nothing to write home about) and surprisingly i was able to stomach the song though it is nowhere near my preference. Besides that it is the first single from this album and made it to the Top 100 of 2008. I could not help but wonder if ExQue is still trying to win his lost love from the last album, his songs are more about trying to win back a girl who has been wronged than anything else. Ndaramba is a track that makes me believe what i just mentioned and the instrumental reminds me of his smash single Mazirudo. I think this one is a potential hit talking about kuramba kurambwa (refusing to be dumped). Whoever this girl is apengesa ExQue shamwari wakaoma, blaz vanokuda ivava! Other songs on the album feature artists like Stunner, Taurai Mandebvu, and Junior Brown.

It is no lie that ExQue is a favourite of many and this album will do him more favours. Technically, it sounded like a rush job and it lost a lot of marks because of that. I really expected a better job especially from a producer of MacDee's calibre. For The Grown & Sexy is really more of an album for the not so grown and those who like Urban Grooves without much lyrical depth. The same formula has won him many a fan and he sticks to what he knows best: rapping about love. I have since accepted that he will never change that. It is a decent offering and to ExQue fans of old chances are you will love this one.

Music - 6/10

Technical Sound - 5/10

'I Like' Factor - 7/10

Sam Mtukudzi - Rume Rimwe (2007)

Sam Mtukudzi's career started off with him touring with his father, the great Oliver Mtukudzi a few years back. That was indeed the beginning of a new dawn for an artist who is set to break through as one of the most promising musicians in Zimbabwe right now. Under the guidance and nurturing of his superstar father, Sam is indeed ready to be his own man. Rume Rimwe (released in December 2007) took the young man a good 2 years to put together and it's well worth the time.

This is Sam Mtukudzi's debut album which holds the song Chii Chanetsa that has become a very popular hit making the charts on PowerFM in 2008. On this track he engages in social commentary concerning domestic violence as seen by the children affected. It is a very in-depth view at the ills of a marriage gone wrong where all the possibilities point at a divorce but the children do not want to entertain the thought. Evidently, everyone is unhappy and all they can do is watch as it happens. This is a song that can evoke emotion within you because of the very reality it besets upon. Amai focuses on a mothers love and Sam is seemingly thanking his mother for her presence in his life (maybe because his dad was on the road half the time? lol). It is a beautiful song about appreciation and should serve to teach us all to appreciate not only parents but everyone who plays a significant role in our lives.

The musical style on this album can be described as jazz with a mixture of Tuku music to spice it up. Tibatane is my favourite song on this album (listen to the XBC podcasts and you will find evidence of that!). It is a jazzy love song where the emphasis is on becoming one. Sam praises his partner calling her 'chisikwa chaMwari' (God's beautiful creation). This is as good as a love song gets and it took me back to the love of old. The instrumentation was simply phenominal and the backing vocalists set a bar that you do not hear too often these days, not only on this song but throughout the album. It reminds me that young musicians can also make such great music (but then again this is Oliver Mtukudzi's son i didn't expect any less!). Songs like Why Can't We, Ngwara and Mazuva Mangani (which is somewhat the title track relating to the Shona proverb 'Rume rimwe harikombi churu') are littered with advice on life. Besides the good music, there are strong messages contained within these songs that are reminiscent of olden day folklore.

It is without a single doubt that Sam Mtukudzi's music is miles ahead of his age and don't let his youth deceive you, this is a brilliant album. His lyrical prowess herein lies within a poetic approach and there is an undeniable connection with Oliver's influence here. There is such wisdom in his words you will not believe he is only 20 years old. It is no surprise that his music appeals across many generations and i hear Sam is a brilliant live performer as well. Every song is very well done and you can listen from start to finish without even considering skipping a track. This is highly recommended for everyone out there especially those who like Africa Revenge, Dudu Manhenga, Oliver Mtukudzi, Simphiwe Dana, Thandiswa Mazwai and Chiwoniso to name a few.

Get the album here: http://www.oneworld.co.za/index.php?main_page=product_music_info&cPath=1_49&products_id=3985

Cover Art - 6/10

Music - 7.5/10

Technical Sound - 8/10

'I Like Factor' - 7/10

Chiwoniso - Rebel Woman (2008)

I have been a fan of contemporary Zimbabwean music for a few years now and have grown to appreciate it as the years have passed by. Chiwoniso has been a household name for as long as i can remember with an outstanding career from the days as part of A Peace of Ebony together with Metaphysics and Tony Chihota. Rebel Woman is her third solo project after Ancient Voices (2001) & Timeless (2004) where Chiwoniso teams up with prominent producer Keith Farquhuarson yet again.

Chiwoniso comfortably switches between Shona and English throughout her inspiring album. The title track is an international success after helping Chiwoniso to claim second spot in the International Song Writing Competition (World Music Category) in 2006. Rebel Woman delves into the world of a woman and her strengths that help to overcome the obstacles of life. The rebel woman is a fighter and stands against all odds to overcome. It is one of the most well written songs by Chiwoniso and her singing enhances the beauty of it. Vanorapa defines the Chiwoniso sound many have grown to love. The song is about the ancestral powers that we might not know about but play a huge part in our well-being as the healers of society ills. It is a deep thought of how history defined the future to be part of it. Matsotsi touches on greed and cultural decay as money has taken over the necessities of life. It boarders between the differences of the sociatal hierarchy and the envy associated with financial acquisitions. Matsotsi is a Shona word meaning 'criminals'. As a Zimbabwean, this song made me ponder on the state of our nation and realise how affected the average man is on a day to day basis. This one explores the depths of Chiwoniso's passion as a musician singing about issues that affect so many people worldwide.

The album also offers uplifting songs like Wakashinga, the jazzy Listen To The Breeze, an emotional track about rising from a slump, and the vibrant Nguva Yekufara which is about having happiness in life. Chiwoniso sings about how the time for happiness is more vital and important to the soul than times of sadness as well as telling us how God facilitates our happiness in His being. This one is one of the best songs on the album. Kurima is the first track i heard off this album a couple of years back. I particularly enjoy the fusion of mbira and the piano, the song has me snapping my fingers more often than i realise! The emphasis of the track is on the ability we have to fend for ourselves through various means and encourages the people to work hard to see out each day successfully.

The beauty of Chiwoniso's music is in being able to capture an audience stretching from young to old and even moreso going beyond cultural barriers. I believe she has what it takes to continue entertaining thousands for many more years to come. Rebel Woman is possibly Chiwoniso's best offering yet (without taking anything away from her previous albums which were very well done). For Chiwoniso fans, there is no disappointment here! This one is a must buy for anyone interested in mbira music and those who want something new. Impressive to say the least.

Get the album here: http://www.cduniverse.com/productinfo.asp?pid=7727674

Cover Art - 8/10
Music - 9/10
Technical Sound - 9/10
'I Like' Factor - 8/10

Madiz - Rhumba Plus (2007)

Madiz rose to prominence through his work on other people's songs other than his own in the initial stages of his career which started around 2003. For those who do not know, Madiz is the man behind the popular hooks by fellow Gweru artist Nasty Trixx from his debut album Kupinda Newe. He has also featured on Maskiri's track Ngaakoreswe as well as Diana Samkange's Chingave Chii from the compilation Bhodho Size one. Before releasing his smash hit single Amina featuring Abisha Makombe in 2006, Madiz was part of the Baseline Records collective, Souls of Africa who had the popular song Madam Chamunoda.

Rhumba Plus is the exciting debut album by Madiz produced by legendary Gweru producer, Tony G. It has undoubtedly put Madiz on the elite list of some of Zimbabwe's best Urban Groovers. The album opens up with the exciting Kazevezeve featuring Abisha Makombe which adopts a kizomba zouk type beat but with a lovely Zimbabwean twist and it changes mid way not once but twice. Basically it is 3 different beats for one song! The track is about kazevezeve kemwoyo waMadiz (the whisper of his heart). This is one of the 3 songs from this album that made it into the Top 100 of 2008 charts on Power FM.The only part i did not like about this song was the fact that towards the end when it switches to the rhumba beat he uses the lyrics he used on Ndanakirwa and Amina. I would have loved to hear something a bit different, maybe more creative. I still sing along to the song every time i play it but amana tipewiwo maSerious!

Vhenenziya is a dance tune that deserves a chance on the airwaves because i am very sure it will cause headaches wherever it is played. What i like about the production by Tony G is that he makes his music very unique and does not try to do what other people do. This particular track is about finding the love of your life in bed with someone other than yourself. Considering the content, the song is rather enjoyable! That afrohouse feel definitely has me dancing away in no time. Throughout the album Madiz experiements with different tempos which makes him use his voice in unpredictable ways. It is without doubt that he is blessed with a very good voice. He shows this on the song Ndafarira which is a good love song. Ndanakirwa is possibly the most popular song from this album which is a rhumba piece that has been responsible for many sweaty bodies on dancefloors around the country and abroad. It is the kind of song that makes you realise that Urban Grooves has evolved from the typical computer generated music that was resented at first, into a much more exciting genre.

All in all this album is a great listen. Concerning the lows i mentioned before, Ndanakirwa also has a remix version which was ok though i would have preferred a completely new song altogether. Rhumba Plus also contains the other hit song Murume Wangu as well as the ever so popular Amina. I think for a debut album Madiz has done a good job and one can only wait until the next album to hear what else he has to offer. Go and get a copy of this one especially if you like Urban Grooves, Afro House, Zouk or Rhumba because it is all slotted in there.

Cover Art - 6/10
Music - 8/10
Mixing & Mastering - 7/10
'I Like Factor' - 6.5/10

Kazevezeve